Teaching
Notable mentions among her students would be her nephew Sarod maestro Aashish Khan Debsharma; Biren Banerjee of Howrah also received training from her; renowned flautists Pandit Hariprasad Chaurasia and Nityanand Haldipur; Sitarists Pandit Nikhil Banerjee received training from her, Chandrakant Sardeshmukh, the late Sudhir Phadke, Dr. Hemant Desai, and Professor Rooshikumar Pandya; and Sarodists Pradeep Barot, Amit Bhattacharya and Basant Kabra. The list of other occasional students includes Sandhya Apte (Sitar), Leenata Vaze (Sitar), Amit Hiren Roy (Sitar), Stuti Dey (Sarode), Uma Guha (Sarode), Milind Sheorey (Flute), and Kokila Rai, wife of the late Vasant Rai (Surbahar). All of them carry on the legacies of Annapurna Devi's, and thus Alauddin Khan's, music through their recitals.
She is also the key figure of Acharya Alauddin Music Circle (an association in the memory of the late Alauddin Khan for promoting Indian classical music), in Mumbai.
Read more about this topic: Annapurna Devi
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—Jerome S. Bruner (20th century)
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“For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.”
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