Animated Mapping - History

History

The concept of animated maps began in the 1930s, but did not become more developed by cartographers until the 1950s (Slocum et al. 2005). In 1959, Norman Thrower published Animated Cartography, discussing the use of animated maps in adding a new dimension that was difficult to express in static maps: time. These early maps were created by drawing "snap-shots" of static maps, putting a series of maps together to form a scene and creating animation through photography tricks (Thrower 1959). Such early maps rarely had an associated scale, legends or oriented themselves to lines of longitude or latitude (Campbell and Egbert 1990).

With the development of computers in the 1960s and 1970s, animation programs were developed allowing the growth of animation in mapping. Waldo Tobler created one of the first animations, using a 3-D computer generated map to portray population growth over a specified time in Detroit (Tobler 1970). Hal Moellering created another animated map in 1976 representing a spatiotemporal pattern in traffic accidents (Slocum et al. 2005).

Further development in animated map was stalled until the 1990s due to a lack of animation in academics, financial restrictions on research, and lack of distribution means (Campbell and Egbert 1990). In the 1990s, however, the invention of faster, more efficient computers, compact discs and the Internet solved such problems.

Read more about this topic:  Animated Mapping

Famous quotes containing the word history:

    We know only a single science, the science of history. One can look at history from two sides and divide it into the history of nature and the history of men. However, the two sides are not to be divided off; as long as men exist the history of nature and the history of men are mutually conditioned.
    Karl Marx (1818–1883)

    In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.
    Henry Brooks Adams (1838–1918)

    I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.
    Eugène Ionesco (b. 1912)