Works
It is on his skill as a reader of palimpsests that Mai's fame chiefly rests. To the period of his residence at Milan belong:
- fragments of Cicero's judicial orations Pro Scauro, Pro Tullio, Pro Flacco, and his In Clodium et Curionem, De aere alieno Milonis, and De rege Alexandrino (1814)
- M. Corn. Frontonis opera inedita, cum epistolis item ineditis, Antonini Pii, Marci Aurelii, Lucii Veri et Appiani (1815; new ed., 1823, with more than 100 additional letters found in the Vatican library)
- portions of eight speeches of Quintus Aurelius Symmachus
- fragments of Plautus
- the oration of Isaeus' De hereditate Cleonymi
- the last nine books of the Antiquities of Dionysius of Halicarnassus, and a number of other works.
- Cicero's De Re Publica, published as M Tullii Ciceronis de republica quae supersunt, Rome, 1822
- Scriptorum veterum nova collectio, e Vaticanis codicibus edita in 1825-1838
- Classici scriptores e Vaticanis codicibus editi in 1828-1838
- Spicilegium Romanum in 1839-1844 (Tomus III, Tomus IX)
- Patrum nova bibliotheca in 1845-1853
His edition of the celebrated Codex Vaticanus Graecus 1209, completed in 1838, but not published (ostensibly the ground of inaccuracies) till four years after his death (1858), is the least satisfactory of his labours and was superseded by the edition of Vercellone and Cozza (1868), which itself leaves much to be desired.
Although Mai was not as successful in textual criticism as in the decipherment of manuscripts, he will always be remembered as a laborious and persevering pioneer, by whose efforts many ancient writings have been rescued from oblivion.
Read more about this topic: Angelo Mai
Famous quotes containing the word works:
“They that go down to the sea in ships, that do business in great waters, these see the works of the Lord and his wonders in the deep.”
—Bible: Hebrew Psalms 107:23-24.
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (1805–1879)
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (1921–1988)