Criticism
A criticism often levelled at Åsne Seierstad is her tendency to present personal stories which have not been fully cross-checked for accuracy. Her style, blending historical facts with personal accounts, sometimes blurs the boundary between fact and fiction and language gaps can cause misunderstandings. By focusing on such a small group of individuals to present her case, she fails to prove any abuses or wrongdoing is systemic, and therefore cannot easily hold people to account for their actions.
In Angel of Grozny she goes a step further by writing some sections of the book in the third person. She describes events she did not witness, often in vivid and evocative language which is ill-suited to the actual person telling the story. The Manchester Guardian reviewer described the "blurring of reportage and imagined scenes" as "sometimes uncomfortable".
Read more about this topic: Angel Of Grozny: Inside Chechnya
Famous quotes containing the word criticism:
“A tailor can adapt to any medium, be it poetry, be it criticism. As a poet, he can mend, and with the scissors of criticism he can divide.”
—Franz Grillparzer (1791–1872)
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)
“When you overpay small people you frighten them. They know that their merits or activities entitle them to no such sums as they are receiving. As a result their boss soars out of economic into magic significance. He becomes a source of blessings rather than wages. Criticism is sacrilege, doubt is heresy.”
—Ben Hecht (1893–1964)