Criticism
A criticism often levelled at Åsne Seierstad is her tendency to present personal stories which have not been fully cross-checked for accuracy. Her style, blending historical facts with personal accounts, sometimes blurs the boundary between fact and fiction and language gaps can cause misunderstandings. By focusing on such a small group of individuals to present her case, she fails to prove any abuses or wrongdoing is systemic, and therefore cannot easily hold people to account for their actions.
In Angel of Grozny she goes a step further by writing some sections of the book in the third person. She describes events she did not witness, often in vivid and evocative language which is ill-suited to the actual person telling the story. The Manchester Guardian reviewer described the "blurring of reportage and imagined scenes" as "sometimes uncomfortable".
Read more about this topic: Angel Of Grozny: Inside Chechnya
Famous quotes containing the word criticism:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“Good criticism is very rare and always precious.”
—Ralph Waldo Emerson (1803–1882)