Works
- Preface to a Twenty Volume Suicide Note (poems), 1961
- Blues People: Negro Music in White America, 1963
- Dutchman and The Slave (drama), 1964
- The System of Dante's Hell (novel), 1965
- Home: Social Essays, 1965
- A Black Mass (a play based on the Nation of Islam narrative of Yakub), 1966
- Tales, 1967
- Black Fire: An Anthology of Afro-American Writing (co-editor, with Larry Neal), 1968
- Black Magic (poems), 1969
- Four Black Revolutionary Plays, 1969
- Slave Ship, 1970
- It's Nation Time (poems), 1970
- Raise Race Rays Raize: Essays Since 1965, 1971
- Hard Facts, poems, 1975
- The Motion of History and Other Plays, 1978
- Poetry for the Advanced, 1979
- New Music, New Poetry, 1980, India Navigation
- reggae or not!, 1981
- Confirmation: An Anthology of African American Women (edited with Amina Baraka), 1983
- Daggers and Javelins: Essays 1974-1979, 1984
- The Autobiography of LeRoi Jones/Amiri Baraka, 1984
- The Music: Reflections on Jazz and Blues, 1987
- Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones, 1995
- Wise, Why’s Y’s (a long poem), 1995
- Funk Lore: New Poems, 1996.
- Somebody Blew Up America, 2001
- Somebody Blew Up America & Other Poems, 2003
- The Essence of Reparations, 2003
- The Book of Monk, 2005
- Tales of the Out & the Gone, 2006
- Billy Harper: Blueprints of Jazz, Volume 2 (Audio CD), 2008
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Famous quotes containing the word works:
“I cannot spare water or wine, Tobacco-leaf, or poppy, or rose;
From the earth-poles to the line, All between that works or grows,
Every thing is kin of mine.”
—Ralph Waldo Emerson (18031882)
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (18921983)
“Was it an intellectual consequence of this rebirth, of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (18751955)