Americana (The Offspring Album) - Background and Recording

Background and Recording

After the unexpected success of Smash (1994), The Offspring were signed to Columbia Records in 1996, releasing the fourth studio album Ixnay on the Hombre (1997) to moderate success. Although Ixnay on the Hombre was not as well received as Smash, it managed simultaneous gold and platinum certification in the United States in April 1997. After touring in support of Ixnay on the Hombre, The Offspring began writing new material for their next album. Frontman Dexter Holland told Rolling Stone in August 1998 that, "I wanted to write a record that wasn't a radical departure from what we've done before. I feel like we have managed to change stuff up from Ignition to Smash to Ixnay. We're in a place where we more or less set the boundaries where we can do a lot of stuff without having to stretch it out farther ... and do a swing song or something." Recording took place from July to September 1998 at Eldorado Recording Studios with producer Dave Jerden, who also produced Ixnay on the Hombre. On the album's direction, Holland told Guitar World, "The idea wasn't to reinvent the wheel. We expanded our horizons on our last record and that's okay, but I don't feel like you have to be a completely different band on every record."

One of the songs, "Pay the Man", was actually recorded during the making of Ixnay on the Hombre, but was left out because it sounded too different from anything else the band had currently made, in a dark, psychedelic rock/heavy metal sound, comparable to stoner rock. The structure of the song more resembles progressive rock (having no repetitive sections, and no continuous musical theme). Holland also contributed the song "Too Much Drama" to The Vandals' album Hitler Bad, Vandals Good, which was released five months before Americana. The chorus melody is reused on this album on the song "Walla Walla."