American McGee - Games

Games

  • 1994 - Wolfenstein 3D, Tester (Atari Corporation)
  • 1994 - Doom II: Hell on Earth, Level Designer (id Software)
  • 1994 - Doom, Level Designer (Sega)
  • 1995 - The Ultimate Doom, Level Designer (GT Interactive Software)
  • 1995 - Doom, Tester (WMS Industries)
  • 1996 - Quake, Level Designer, Sound Designer, Tools Programmer (id Software)
  • 1996 - H!Zone, Co-Producer (WizardWorks Software)
  • 1996 - Hexen: Beyond Heretic, Co-Producer (GT Interactive Software)
  • 1996 - Final Doom, Level Designer (id Software and Atari, Inc.)
  • 1997 - Quake Mission Pack 1: Scourge of Armagon, Level Designer (id Software)
  • 1997 - Quake Mission Pack 2: Dissolution of Eternity, Level Designer (id Software)
  • 1997 - Quake II, Level Designer, Sound Designer, Tools Programmer (Activision)
  • 1997 - Doom 64, Level Designer (Midway Games)
  • 1998 - Dominion: Storm Over Gift 3, Sound Designer (Eidos Interactive)
  • 2000 - Timeline, Co-Designer, Co-Writer (Eidos Interactive)
  • 2000 - American McGee's Alice, Creative Director, Co-Writer, Designer (Electronic Arts)
  • 2004 - American McGee Presents: Scrapland, Producer (Enlight Software)
  • 2006 - American McGee Presents: Bad Day L.A., Creative Director, Writer, Co-Designer (Enlight Software)
  • 2008 - American McGee's Grimm, Project Leader, Creative Director, Co-Writer, Co-Designer (Turner Broadcasting System)
  • 2009 - DexIQ, Project Leader, Creative Director (Spicy Horse)
  • 2011 - Alice: Madness Returns, Creative Director, Co-Writer, Designer (Spicy Horse) (Electronic Arts)
  • 2012 - BigHead Bash (Spicy Horse)
  • 2012 - Crazy Fairies (Spicy Horse)
  • 2012 - Akaneiro: Demon Hunters (Spicy Horse)

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Famous quotes containing the word games:

    “As long as lightly all their livelong sessions,
    Like a yardful of schoolboys out at recess
    Before their plays and games were organized,
    They yelling mix tag, hide-and-seek, hopscotch,
    And leapfrog in each other’s way all’s well.”
    —Robert Frost (1874–1963)

    “Criticism occupies the lowest place in the literary hierarchy: as regards form, almost always; and as regards moral value, incontestably. It comes after rhyming games and acrostics, which at least require a certain inventiveness.”
    —Gustave Flaubert (1821–1880)