The Depression Years and World War II
During the Depression years, the federal Works Progress Administration funded crafts projects as well as public works and murals as a way to both keep workers working and as a way to increase national morale. This enabled crafts to flourish at a local level. At the same time, American art programs began to include craft studies into their curricula.
World War II brought an influx of European artists and craftsmen. These European exiles brought with them a range of historical traditions including not only European craft practices but also knowledge of Asian and other non-Western cultures. One example of this influx is Tage Frid, a Danish furniture maker, who established the reputation of the Furniture Making program at Rhode Island School of Design, and there are certainly others. Also during the post World War II period a general dissatisfaction with industrial society began to fuel further support for handmade art objects. In 1943, the American Craft Council was founded to support craftspeople and cultivate an appreciation for their work. The ACC's founder, Aileen Osborn Webb was a potter interested in creating marketing opportunities for studio craftsmen. The organization eventually grew to include American Craft magazine and the Museum of Arts and Design (then called the Museum of Contemporary Crafts and at one point known as the American Craft Museum). As a result of these phenomena, post-war American craft became stylistically more refined as well as technically more proficient.
Read more about this topic: American Craft
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