Book Objects and Loose Page Sculptures
In the early 1960s, published by Something Else Press, Knowles composed the Notations book of experimental composition with John Cage and Coeurs Volants and a print with Marcel Duchamp. She also traveled and performed throughout Europe, Asia and North America. In 1963, Knowles produced one of the earliest book object, a can of texts and beans called the Bean Rolls. In 1967, Knowles and James Tenney produced the computerized poem The House of Dust. A sound installation for a House of Dust public sculpture was produced by Max Neuhaus.
In 1967, Knowles created the Big Book, an 8-foot-tall (2.4 m) book of environments organized around a spine, which opened at the Frankfurter Buchmesse and toured through Europe. The book was eventually destroyed. In 1982, with the help of Franklin Furnace, Knowles produced a second large-scale book called The Book of Bean. Several pages of this book can be found at Museo Vostell in Extremadura, Spain. In 1985, Knowles created a smaller book of tactile languages called A Finger Book of Ancient Language. This book consisted of seven 11-inch-high (280 mm) pages all in braille and was shown at the Lighthouse for the Blind in New York. She has also produced and written several books of experimental text and poetry.
Knowles' 1983 book Loose Pages, originally produced in collaboration with Coco Gordon, consisted of pages made for each part of the body. In her other page sculptures, the audience physically stands in the page and enters it with one or more body parts. Her 1989 Mahogany Arm Rest and 1992 We Have no Bread invited the viewer to engage directly with their four to five meter pages.
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Famous quotes containing the words book, objects, loose and/or page:
“A book should long for pen, ink, and writing-table: but usually it is pen, ink, and writing-table that long for a book. That is why books are so negligible nowadays.”
—Friedrich Nietzsche (1844–1900)
“It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?”
—Mary Barnett Gilson (1877–?)
“Mathematics may be compared to a mill of exquisite workmanship, which grinds your stuff of any degree of fineness; but nevertheless, what you get out depends upon what you put in; and as the grandest mill in the world will not extract wheat- flour from peascods, so pages of formulae will not get a definite result out of loose data.”
—Thomas Henry Huxley (1825–95)
“There is then creative reading as well as creative writing. When the mind is braced by labor and invention, the page of whatever book we read becomes luminous with manifold allusion. Every sentence is doubly significant, and the sense of our author is as broad as the world.”
—Ralph Waldo Emerson (1803–1882)