Book Objects and Loose Page Sculptures
In the early 1960s, published by Something Else Press, Knowles composed the Notations book of experimental composition with John Cage and Coeurs Volants and a print with Marcel Duchamp. She also traveled and performed throughout Europe, Asia and North America. In 1963, Knowles produced one of the earliest book object, a can of texts and beans called the Bean Rolls. In 1967, Knowles and James Tenney produced the computerized poem The House of Dust. A sound installation for a House of Dust public sculpture was produced by Max Neuhaus.
In 1967, Knowles created the Big Book, an 8-foot-tall (2.4 m) book of environments organized around a spine, which opened at the Frankfurter Buchmesse and toured through Europe. The book was eventually destroyed. In 1982, with the help of Franklin Furnace, Knowles produced a second large-scale book called The Book of Bean. Several pages of this book can be found at Museo Vostell in Extremadura, Spain. In 1985, Knowles created a smaller book of tactile languages called A Finger Book of Ancient Language. This book consisted of seven 11-inch-high (280 mm) pages all in braille and was shown at the Lighthouse for the Blind in New York. She has also produced and written several books of experimental text and poetry.
Knowles' 1983 book Loose Pages, originally produced in collaboration with Coco Gordon, consisted of pages made for each part of the body. In her other page sculptures, the audience physically stands in the page and enters it with one or more body parts. Her 1989 Mahogany Arm Rest and 1992 We Have no Bread invited the viewer to engage directly with their four to five meter pages.
Read more about this topic: Alison Knowles
Famous quotes containing the words book, objects, loose and/or page:
“I view askance a book that remains undisturbed for a year. Oughtn’t it to have a ticket of leave? I think I may safely say no book in my library remains unopened a year at a time, except my own works and Tennyson’s.”
—Carolyn Wells (1862–1942)
“Change begets change. Nothing propagates so fast. If a man habituated to a narrow circle of cares and pleasures, out of which he seldom travels, step beyond it, though for never so brief a space, his departure from the monotonous scene on which he has been an actor of importance would seem to be the signal for instant confusion.... The mine which Time has slowly dug beneath familiar objects is sprung in an instant; and what was rock before, becomes but sand and dust.”
—Charles Dickens (1812–1870)
“It’s this crazy weather we’ve been having:
Falling forward one minute, lying down the next
Among the loose grasses and soft, white, nameless flowers.”
—John Ashbery (b. 1927)
““If Steam has done nothing else, it has at least added a whole new Species to English Literature ... the booklets—the little thrilling romances, where the Murder comes at page fifteen, and the Wedding at page forty—surely they are due to Steam?”
“And when we travel by electricity—if I may venture to develop your theory—we shall have leaflets instead of booklets, and the Murder and the Wedding will come on the same page.””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)