Book Objects and Loose Page Sculptures
In the early 1960s, published by Something Else Press, Knowles composed the Notations book of experimental composition with John Cage and Coeurs Volants and a print with Marcel Duchamp. She also traveled and performed throughout Europe, Asia and North America. In 1963, Knowles produced one of the earliest book object, a can of texts and beans called the Bean Rolls. In 1967, Knowles and James Tenney produced the computerized poem The House of Dust. A sound installation for a House of Dust public sculpture was produced by Max Neuhaus.
In 1967, Knowles created the Big Book, an 8-foot-tall (2.4 m) book of environments organized around a spine, which opened at the Frankfurter Buchmesse and toured through Europe. The book was eventually destroyed. In 1982, with the help of Franklin Furnace, Knowles produced a second large-scale book called The Book of Bean. Several pages of this book can be found at Museo Vostell in Extremadura, Spain. In 1985, Knowles created a smaller book of tactile languages called A Finger Book of Ancient Language. This book consisted of seven 11-inch-high (280 mm) pages all in braille and was shown at the Lighthouse for the Blind in New York. She has also produced and written several books of experimental text and poetry.
Knowles' 1983 book Loose Pages, originally produced in collaboration with Coco Gordon, consisted of pages made for each part of the body. In her other page sculptures, the audience physically stands in the page and enters it with one or more body parts. Her 1989 Mahogany Arm Rest and 1992 We Have no Bread invited the viewer to engage directly with their four to five meter pages.
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Famous quotes containing the words book, objects, loose and/or page:
“Was ever book containing such vile matter
So fairly bound? O that deceit should dwell
In such a gorgeous palace!”
—William Shakespeare (1564–1616)
“We are all instruments endowed with feeling and memory. Our senses are so many strings that are struck by surrounding objects and that also frequently strike themselves.”
—Denis Diderot (1713–84)
“Her little loose hands, and dropping Victorian shoulders.
And then her great weight below the waist, her vast pale belly
With a thin young yellow little paw hanging out, and straggle of a
long thin ear, like ribbon,
Like a funny trimming to the middle of her belly, thin little dangle
of an immature paw, and one thin ear.”
—D.H. (David Herbert)
“I drink the five o’clock martinis
and poke at this dry page like a rough
goat. Fool! I fumble my lost childhood
for a mother and lounge in sad stuff
with love to catch and catch as catch can.”
—Anne Sexton (1928–1974)