Biography
Throughout the big-band era and the years that followed, each of Lawrence Welk's female vocalists was always nicknamed "The Champagne Lady". Lon assumed the title in 1955, during the TV program's first season. Her alto singing voice graced Welk's show weekly until 1959, when she left the show over musical and money issues, although a popular legend developed that she was fired for showing too much leg. Viewers missed the popular Alice Lon, and Welk received many messages demanding that she be rehired. Welk tried to bring her back, but she refused and was ultimately replaced in 1960 by Norma Zimmer. Lawrence and Lon eventually reconciled personally, but never worked together professionally again.
On Welk's show, Lon was known for wearing particularly full skirts with colorful petticoats designed by her mother, Lois Wyche, as she told TV Guide. She gave instructions in the article on how viewers might make their own petticoats.
She recorded an album for Coral Records titled It's Alice with orchestra directed by George Cates. The liner notes provide the following: "Miss Lon, first introduced by Welk as "Alice from Dallas", began singing, dancing and playing the piano at six. By the time she was ten, the precocious young songstress was appearing on her own sponsored radio show.
In her teens she began touring her native Texas playing theaters, veterans' hospitals and army camps until she was signed by Interstate Theaters in Dallas. Appearing on the Interstate circuit, she also starred on its weekly radio show, "Showtime", emanating from the Palace Theater in Dallas. While touring for Interstate, she was invited to appear on the Don McNeill's famous radio show The Breakfast Club in Chicago, an engagement that was to be the first of a great many radio and TV appearances in that area.
Read more about this topic: Alice Lon
Famous quotes containing the word biography:
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)