Alexander Schreiner - Works

Works

Besides his many hymns, Schreiner wrote a book entitled Organ Voluntaries.

Schreiner wrote the music to the following hymns in the 1985 English edition of the Latter-day Saint hymnal:

  • Truth Eternal (#4)
  • Lead Me Into Life Eternal (#45)
  • Thy Spirit, Lord, Has Stirred Our Souls (#157)
  • While of These Emblems We Partake (Aeolian) (#174)
  • God Loved Us, So He Sent His Son (#187)
  • In Memory of the Crucified (#190)
  • Lord, Accept into thy Kingdom (#236)
  • Behold Thy Sons and Daughters Lord (#238)
  • Holy Temples on Mount Zion (#289)

Some of his writings refer specifically to his association with the Tabernacle organ such as the following:

  • Schreiner, Alexander. Alexander Schreiner Reminisces (Salt Lake City, 1984).
  • Schreiner, Alexander. "100 Years of Organs in the Mormon Tabernacle." The Diapason (November 1967)
  • Schreiner, Alexander. "The Tabernacle Organ in Salt Lake City." Organ Institute Quarterly, Vol. 7, No. 1 (1957)

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Famous quotes containing the word works:

    We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.
    Henry David Thoreau (1817–1862)

    They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.
    Henry David Thoreau (1817–1862)

    The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.
    William James (1842–1910)