Style
Chung is a muse to many fashion designers because of her distinctive personal style. She frequently appears on best-dressed lists, is a regular cover girl for Vogue, Elle and Harper's Bazaar and is often seen in the front row at fashion shows. In 2009 the designer handbag company Mulberry created a much sought-after bag named after and inspired by Chung, called the "Alexa". In January 2010, she was named in Tatler’s top 10 best-dressed list. In February 2010, Chung collaborated with J.Crew's Madewell on a womenswear line which was unveiled during New York Fashion Week. She is collaborating with Madewell once again for a second collection, set to debut on September 22nd, 2011.
Vogue’s Anna Wintour has described Chung as "a phenomenon" while the New York Times has declared her "the Kate Moss of the new generation". Chanel designer Karl Lagerfeld has described her as "beautiful and clever...a modern girl". In December 2010, Bryan Ferry, on behalf of the British Fashion Council, presented Chung with the British Style Award which "recognises an individual who embodies the spirit of British fashion and is an international ambassador for the UK as a leading creative hub for fashion" at a ceremony at the Savoy Theatre in London. At the British Fashion Awards 2011, Chung won the British Style Award, which was voted for by the public.
Read more about this topic: Alexa Chung
Famous quotes containing the word style:
“In comedy, the witty style wins out over every mishap of the plot.”
—Mason Cooley (b. 1927)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)