Style
His writing style has been described as "realist" or "phenomenological" (in the Heideggerian sense) or "a theory of pure surface." Methodical, geometric, and often repetitive descriptions of objects replace (though often reveal) the psychology and interiority of the character. The reader must slowly piece together the story and the emotional experience of jealousy, for example, in the repetition of descriptions, the attention to odd details, and the breaks in repetitions, a method that resembles the experience of psychoanalysis in which the deeper unconscious meanings are contained in the flow and disruptions of free associations. Timelines and plots are fractured, and the resulting novel resembles the literary equivalent of a cubist painting. Yet his work is ultimately characterized by its ability to mean many things to many different people.
Read more about this topic: Alain Robbe-Grillet
Famous quotes containing the word style:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“All my stories are webs of style and none seems at first blush to contain much kinetic matter.... For me “style” is matter.”
—Vladimir Nabokov (1899–1977)
“As the style of Faulkner grew out of his rage—out of the impotence of his rage—the style of Hemingway grew out of the depth and nuance of his disenchantment.”
—Wright Morris (b. 1910)