Design
The memorial was designed by Sir Edward Maufe with sculpture by Vernon Hill. The engraved glass and painted ceilings were designed by John Hutton, and the poem engraved on the gallery window was written by Paul H Scott. It was the first post-World War II building to be listed for architectural merit.
The roof of the memorial looks over the River Thames and Runnymede Meadow, where the Magna Carta was sealed by King John in 1215. Most of north, west, and central London can be seen to the right from the viewpoint; such monuments as the London Eye and the arch of Wembley Stadium are visible on clear days. Windsor Castle and the surrounding area can be seen to the left.
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Air Forces Memorial
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Air Forces Memorial
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Air Forces Memorial
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Air Forces Memorial
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Air Forces Memorial
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Air Forces Memorial
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Air Forces Memorial
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Air Forces Memorial
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Air Forces Memorial
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One of eighteen bronze sculptures on the main doors of th Air Forces Memorial
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Air Forces Memorial Runnymede Entrance Gates & Monument Front Aspect
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Image showing lay out of inscriptions by year nationality and rank
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Memorial cloister with remembrance stone before the central chapel surmounted by the Astral Crown
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Air Forces Memorial Runnymede England - example coat of arms of the Commonwealth Nations of the commemorated
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Air Forces Memorial Runnymede England - View of portico from chapel & showing lions rampant in door
Read more about this topic: Air Forces Memorial
Famous quotes containing the word design:
“Humility is often only the putting on of a submissiveness by which men hope to bring other people to submit to them; it is a more calculated sort of pride, which debases itself with a design of being exalted; and though this vice transform itself into a thousand several shapes, yet the disguise is never more effectual nor more capable of deceiving the world than when concealed under a form of humility.”
—François, Duc De La Rochefoucauld (16131680)
“What but design of darkness to appall?
If design govern in a thing so small.”
—Robert Frost (18741963)
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (18171862)