Agni Kai - Production

Production

Avatar: The Last Airbender was co-created and produced by Michael Dante DiMartino and Bryan Konietzko at Nickelodeon Animation Studios in Burbank, California. Animation work was mostly done by three animation studios in South Korea: JM Animation, DR Movie, and Moi Animation. According to Bryan Konietzko, the program was conceived in the spring of 2001 when he took an old sketch of a balding, middle-aged man and re-imagined the character as a child. Konietzko drew the character herding bison in the sky, and showed the sketch to Mike DiMartino. At the time, DiMartino was studying a documentary about explorers trapped in the South Pole. Konietzko described their early development of the concept:

The co-creators successfully pitched the idea to Nickelodeon vice president and executive producer Eric Coleman just two weeks later.

The series was first revealed to the public in a teaser reel at Comic-Con 2004, and aired February 21, 2005. In the United States, first two episodes of the series were shown together in a one-hour premiere event. A second twenty-episode season ran from March 17, 2006 through December 1. A third and final season, beginning September 21, 2007, featured twenty-one episodes rather than the usual twenty. The final four episodes were packaged as a two-hour movie.

Avatar: The Last Airbender is notable for borrowing extensively from East Asian art and mythology to create its universe. The series' character designs are heavily influenced by Chinese art, history, Hinduism, Taoism and Buddhism, and Yoga. Traditional Chinese calligraphy styles represent nearly all the writing in the series. For each instance of calligraphy, an appropriate style is used, ranging from seal script (more archaic) to clerical script. The show employed a cultural consultant, Edwin Zane, and calligrapher Siu-Leung Lee as consultants for the series' cultural influences. The choreographed martial art bending moves were affected by Asian cinema. In an interview, Bryan revealed that, "Mike and I were really interested in other epic 'Legends & Lore' properties, like Harry Potter and Lord of the Rings, but we knew that we wanted to take a different approach to that type of genre. Our love for Japanese anime, Hong Kong action and kung fu cinema, yoga, and Eastern philosophies led us to the initial inspiration for Avatar: The Last Airbender." The show's character designs are influenced by anime; but the show is not considered an example of such.

All music and sound used in the series was done by Jeremy Zuckerman and Benjamin Wynn, who formed The Track Team. They experimented with use of a wide range of different instruments, such as the guzheng, pipa, and duduk, to compose background music.

The term "Avatar" comes from Sanskrit (अवतार), wherein means "descent"; its roots are ava, "down," and tri, "to pass". In the Hindu scriptures, avatar signifies the mortal incarnation of a god (usually Vishnu). The Chinese characters apparent at the top of the show's title card mean "the divine medium who has descended upon the mortal world". According to the plot, Aang unknowingly revealed he was the Avatar when by choosing four toys out of thousands, each of which were the childhood toys of previous Avatars. In Tibetan Buddhism, there is a similar test for reincarnations of a Tulku Lama. In Magic and Mystery in Tibet, Alexandra David-Neel writes that "a number of objects such as rosaries, ritualistic implements, books, tea-cups, etc., are placed together, and the child must pick out those which belonged to the late tulku, thus showing that he recognizes the things which were theirs in their previous life". Each successor is expected to show signs of continuity with the previous Avatar, such as being born within a week of the death.

Avatar: The Last Airbender draws on the four classical elements for its bending arts: Water, Earth, Fire, and Air. Although each has its own variation, most ancient philosophies incorporate these four elements: examples include the classical Hindu, Buddhist, and Greek elemental traditions. In the show’s opening, each element is accompanied by two Chinese characters: an ancient Chinese seal script character on the left representing the element being shown and a modern Chinese character on the right describing some feature of the element. The character 水 (pinyin: shuǐ), which stands for water, is shown with 善 (pinyin: shàn), which means benevolence and adaptivity. The character 土 (pinyin: tǔ), which stands for earth, is shown with 強 (pinyin: qiáng), which means strength and stability. The character 火 (pinyin: huǒ), which stands for fire, is shown with 烈 (pinyin: liè), which means intensity and passion. Finally, the character 气 (pinyin: qì), which stands for air, is shown with 和 (pinyin: hé), which means peace and harmony.

In addition to the use of four classical elements in the series, the fighting styles associated with each element are derived from different styles of Chinese martial arts, for which the film-makers employed Sifu Kisu of the Harmonious Fist Chinese Athletic Association as a consultant. Each fighting style was chosen to represent the element it projected. T'ai chi was used for "Waterbending" in the series, which focuses on alignment, body structure, breath, and visualization. Hung Gar was used for "Earthbending" in the series, and was chosen for its firmly rooted stances and powerful strikes to present the solid nature of earth. Northern Shaolin, which uses strong arm and leg movements was used to represent "Firebending". Ba Gua, which uses dynamic circular movements and quick directional changes, was used for "Airbending". The only exception to these styles is Toph, who can be seen practicing a Chu Gar Southern Praying Mantis style.