Adore (The Smashing Pumpkins Album) - Background

Background

The Smashing Pumpkins had cemented their place as a cultural force with the multi-platinum Mellon Collie and the Infinite Sadness. Already sensing the limits of their guitar-driven hard rock sound, the band had started to branch out during the making of Mellon Collie, and, after the chart-topping success of the electronic-leaning "1979", the band zeroed in on electronica.

As the sprawling and massively successful Infinite Sadness tour wound down, Billy Corgan found himself facing many difficult issues, including musical burnout, the absence of his "best friend and musical soul mate in the band" Jimmy Chamberlin, the end of his marriage, and the death of his mother to cancer.

In this period, the band released two new singles on movie soundtracks—"Eye" and "The End Is the Beginning Is the End". Both songs incorporated electronic elements, yet retained the hard rock elements of the band's previous material; one reviewer called the two singles "balls-out, full-energy chargers" and wrote off the Pumpkins' previous remarks that the upcoming album would "rock" less.

However, the new album material Corgan was writing consisted mainly of simple acoustic songs. Corgan, James Iha, D'arcy Wretzky, and Matt Walker spent a few days in the studio in February 1997 laying down demos mostly as live takes, and the band hoped to quickly record an entire album in such a manner. Corgan, hoping to maintain the band's progressive rock-inspired experimentation, soon had second thoughts about this approach and began envisioning a hybrid of folk rock and electronica that was at once "ancient" and "futuristic".

Read more about this topic:  Adore (The Smashing Pumpkins album)

Famous quotes containing the word background:

    In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.
    Emma Goldman (1869–1940)

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    ... every experience in life enriches one’s background and should teach valuable lessons.
    Mary Barnett Gilson (1877–?)