A Nightmare on Elm Street 5: The Dream Child is a 1989 American slasher film and the fifth film in the Nightmare on Elm Street series. It was directed by Stephen Hopkins. The film's general tone is much more gothic and dark than the films before, and used a blue filter lighting technique in most of the scenes. The film's main titles do not display the "5" that was used in all of the promotional material, TV spots, trailers, and merchandise. The main titles simply say "A Nightmare on Elm Street: The Dream Child". It is the sequel to A Nightmare on Elm Street 4: The Dream Master and is followed by Freddy's Dead: The Final Nightmare.
Read more about A Nightmare On Elm Street 5: The Dream Child: Plot, Cast, Deleted Scenes, Soundtrack
Famous quotes containing the words elm, street, dream and/or child:
“Men nowhere, east or west, live yet a natural life, round which the vine clings, and which the elm willingly shadows. Man would desecrate it by his touch, and so the beauty of the world remains veiled to him. He needs not only to be spiritualized, but naturalized, on the soil of earth.”
—Henry David Thoreau (1817–1862)
“If I should go out of church whenever I hear a false statement I could never stay there five minutes. But why come out? The street is as false as the church, and when I get to my house, or to my manners, or to my speech, I have not got away from the lie.”
—Ralph Waldo Emerson (1803–1882)
“Always the seer is a sayer. Somehow his dream is told: somehow he publishes it with solemn joy: sometimes with pencil on canvas: sometimes with chisel on stone; sometimes in towers and aisles of granite, his soul’s worship is builded; sometimes in anthems of indefinite music; but clearest and most permanent, in words.”
—Ralph Waldo Emerson (1803–1882)
“While each child is born with his or her own distinct genetic potential for physical, social, emotional and cognitive development, the possibilities for reaching that potential remain tied to early life experiences and the parent-child relationship within the family.”
—Bernice Weissbourd (20th century)