Roles
| Role | Voice type | World premiere, St. Petersburg 29 November (Old Style) (9 December, NS) 1836 (Conductor: Catterino Cavos) |
Moscow premiere 7 September (Old Style) 1842 (conductor: Ivan Iogannis ) |
|---|---|---|---|
| Ivan Susanin, a peasant of the village of Domnino | bass | Osip Petrov | Dmitriy Kurov |
| Antonida, his daughter | soprano | Mariya Stepanova | Mariya Leonova |
| Vanya, Susanin's adopted son | contralto | Anna Petrova-Vorobyova | Anfisa Petrova |
| Bogdan Sobinin, a militiaman, Antonida's fiance | tenor | Lev Leonov | Aleksandr Bantïshev |
| Commander of the Polish Detachment | bass | Sergey Baykov | |
| A Polish courier | tenor | I. Makarov | |
| Commander of the Russian Detachment | bass | Aleksey Yefremov | |
| Chorus and silent: Peasant men and women, militiamen, Polish nobles and ladies, knights | |||
Read more about this topic: A Life For The Tsar
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“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each others participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
—Sara Lawrence Lightfoot (20th century)
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to acceptand in their acceptance seem to reinforcethese roles at home with both their sons and their daughters.”
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