A Fish Out of Water (book) - Plot

Plot

The story is about a boy who buys a fish, named Otto, from a pet shop. The pet shop owner, Mr. Carp, gives the boy instructions on how to care for the fish, including strict feeding instructions: "Never feed him a lot. Never more than a spot! Or something may happen. You never know what." When the boy ignores these instructions out of compassion for his new pet, Otto begins to outgrow his fishbowl. This leads the boy to move him into several different vases and a bathtub until the house fills up with water.

The boy requests help from a police officer and the fire department, who help him take Otto down to the local pool. There, they drop the fish in, causing it to expand to the size of the pool and scare off all of the swimmers. Unsure of what to do, the boy calls Mr. Carp. He is not surprised as boys always ignore his feeding instructions, and he comes as quickly as possible. Mr. Carp dives into the pool and pulls Otto below. Eventually, Mr. Carp brings the fish back up to the surface returned to its normal size. He refuses to say how he did it but tells the boy to never overfeed Otto again. So, the boy decides after the adventures he had that day that he will never overfeed his fish again.

Read more about this topic:  A Fish Out Of Water (book)

Famous quotes containing the word plot:

    “There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
    —Ralph Waldo Emerson (1803–1882)

    “Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
    —Jane Rule (b. 1931)

    “James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
    —James Thurber (1894–1961)