Production, Non Classical Field
- Best Engineered Album, Non Classical
- Beauty & Crime
- Tchad Blake, Cameron Craig, Emery Dobyns & Jimmy Hogarth, engineers (Suzanne Vega)
- Destination Moon
- Dave O'Donnell & Elliot Scheiner, engineers (Deborah Cox)
- Don't Mess With the Dragon
- Robert Carranza, Serban Ghenea, John Hanes & KC Porter, engineers (Ozomatli)
- Floratone
- Tucker Martine, engineer (Floratone)
- II
- Jason Lehning, engineer (Viktor Krauss)
- Producer of the Year, Non Classical
- Howard Benson
- Daughtry (Daughtry) (A)
- Devils & Angels (Mêlée) (A)
- Direction (The Starting Line) (A)
- Five Score and Seven Years Ago (Relient K) (A)
- Stay Inside (Sound the Alarm) (A)
- Joe Chiccarelli
- Mercy (Burden Brothers) (A)
- The Narcotic Story (Oxbow) (A)
- Nightmoves (Kurt Elling) (A)
- Wincing the Night Away (The Shins) (A)
- Mike Elizondo
- It Won't Be Soon Before Long (Maroon 5) (A)
- Under the Blacklight (Rilo Kiley) (A)
- Mark Ronson
- Back to Black (Amy Winehouse) (T)
- Littlest Things (Lily Allen) (T)
- Rehab (Amy Winehouse) (T)
- Version (Mark Ronson) (A)
- You Know I'm No Good (Amy Winehouse) (T)
- Timbaland
- Come Around (M.I.A. featuring Timbaland) (T)
- Give It to Me (Timbaland featuring Nelly Furtado & Justin Timberlake) (T)
- Make Me Better (Fabolous featuring Ne-Yo) (S)
- Timbaland Presents: Shock Value (Timbaland) (A)
- The Way I Are (Timbaland featuring Keri Hilson & D.O.E.) (S)
- Best Remixed Recording
- "Angelicus" (Andy Moor Full Length Mix)
- Andy Moor, remixer (Delerium featuring Isabel Bayrakdarian)
- "Bring the Noise" (Benny Benassi Sfaction Remix)
- Benny Benassi, remixer (Public Enemy)
- "Like a Child" (Carl Craig Remix)
- Carl Craig, remixer (Junior Boys)
- "Proper Education" (Club Mix - Radio Edit)
- Eric Prydz, remixer (Eric Prydz vs. Pink Floyd)
- "Sorry" (Dirty South Mix)
- Dirty South, remixer (Kaskade)
Read more about this topic: 50th Grammy Awards
Famous quotes containing the words classical and/or field:
“Culture is a sham if it is only a sort of Gothic front put on an iron building—like Tower Bridge—or a classical front put on a steel frame—like the Daily Telegraph building in Fleet Street. Culture, if it is to be a real thing and a holy thing, must be the product of what we actually do for a living—not something added, like sugar on a pill.”
—Eric Gill (1882–1940)
“In the quilts I had found good objects—hospitable, warm, with soft edges yet resistant, with boundaries yet suggesting a continuous safe expanse, a field that could be bundled, a bundle that could be unfurled, portable equipment, light, washable, long-lasting, colorful, versatile, functional and ornamental, private and universal, mine and thine.”
—Radka Donnell-Vogt, U.S. quiltmaker. As quoted in Lives and Works, by Lynn F. Miller and Sally S. Swenson (1981)