Development
All of the performances in 40 Bands 80 Minutes! were filmed on March 6, 2006 at all-ages performance space Il Corral in Hollywood, CA.
The young performers were required to play for less than two minutes, with no re-takes. The results were captured with four digital video cameras and a professional sound crew. Over 52 new bands were filmed. Forty performances are contained in the 40 Bands 80 Minutes! feature documentary. The other twelve performances are available as extras on the 40 Bands 80 Minutes! DVD which was released in late 2006 by the Long Beach, CA-based label, Sounds Are Active Films.
Among the most prominent groups are established L.A. underground bands Abe Vigoda, Anavan, Bizzart, Captain Ahab, Explogasm, Fireworks, Halloween Swim Team, Harassor, Three ( \\\ ), Health, I Heart Lung, and Toxic Loincloth. There are also solo and duo performances by members of acclaimed bands Mika Miko, Friends Forever and Child Pornography. The last performance by legendary Los Angeles band Wives is also included.
Director Sean Carnage, the movie's crew and featured performer Rob Williams (who is listed in the Guinness Book of World Records as the fastest man in the world to make a sandwich with his feet) were producers at Q Television Network, a gay and lesbian cable network which entered bankruptcy the day 40 Bands/80 Minutes! was shot.
Read more about this topic: 40 Bands 80 Minutes!
Famous quotes containing the word development:
“The highest form of development is to govern one’s self.”
—Zerelda G. Wallace (1817–1901)
“The Cairo conference ... is about a complicated web of education and employment, consumption and poverty, development and health care. It is also about whether governments will follow where women have so clearly led them, toward safe, simple and reliable choices in family planning. While Cairo crackles with conflict, in the homes of the world the orthodoxies have been duly heard, and roundly ignored.”
—Anna Quindlen (b. 1952)
“And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)