The 320 South Boston Building, formerly known as the National Bank of Tulsa Building, is a 22-story highrise building located in downtown Tulsa, Oklahoma. It was originally constructed at the corner of Third Street and Boston Avenue as a ten-story headquarters building for the Exchange National Bank of Tulsa, Oklahoma in 1917, and expanded to its present dimensions in 1929. The addition brought the building's height to 400 feet (122 m), making it the tallest building in Oklahoma. It lost this distinction in 1931, but remained the tallest building in Tulsa until Fourth National Bank (today Bank of America Center) was completed in 1967.
In 1933, Exchange National Bank reorganized and renamed itself as the National Bank of Tulsa. Thereafter, the building was known as the National Bank of Tulsa Building (or NBT Building), until the bank renamed itself as Bank of Oklahoma (BOK). The BOK moved to its newly-constructed BOK Tower in 1977. The NBT Building reverted to its former 320 South Boston Building name and became a general office building.
Like the Empire State Building, the pinnacle of 320 South Boston was designed as a Zeppelin mooring. This was used at least once when a U.S. Navy Zeppelin moored there in the 1930s. The top of the building was illuminated for weather alerts, with flashing red lights in the event of an approaching storm.
The architect was George Winkler, who also designed the Mayo Hotel.
Famous quotes containing the words south, boston and/or building:
“My course is a firm assertion and maintenance of the rights of the colored people of the South according to the Thirteenth, Fourteenth, and Fifteenth Amendments, coupled with a readiness to recognize all Southern people, without regard to past political conduct, who will now go with me heartily and in good faith in support of these principles.”
—Rutherford Birchard Hayes (1822–1893)
“In Boston serpents whistle at the cold.”
—Robert Lowell (1917–1977)
“A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky.”
—Gilbert Keith Chesterton (1874–1936)