Contemporary World Cinema
- 3-Iron (Kim Ki-duk)
- After the Day Before (Attila Janisch)
- Almost Brothers (Lúcia Murat)
- The Alzheimer Case (Erik Van Looy)
- Antares (Götz Spielmann)
- As Follows (Federico Veiroj)
- BOMBÓN - El Perro (Carlos Sorín)
- Breaking News (Johnnie To)
- Brodeuses (Eléonore Faucher)
- Brothers (Susanne Bier)
- Cool (Theo van Gogh)
- Crónicas (Sebastián Cordero)
- Days and Hours (Pjer Žalica)
- Dead Man's Shoes (Shane Meadows)
- Dear Frankie (Shona Auerbach)
- Duck Season (Fernando Eimbcke)
- Earth and Ashes (Atiq Rahimi)
- L'Équipier (Philippe Lioret)
- La Femme de Gilles (Frédéric Fonteyne)
- Ferpect Crime (Álex de la Iglesia)
- Hidden Flaws (Paula van der Oest)
- The Holy Girl (Lucrecia Martel)
- Hotel (Jessica Hausner)
- The Keys to the House (Gianni Amelio)
- Ils se marièrent et eurent beaucoup d'enfants (Yvan Attal)
- Inconscientes (Joaquín Oristrell)
- Innocent Voices (Luis Mandoki)
- Lila dit ça (Ziad Doueiri)
- The Limb Salesman (Anais Granofsky)
- Little Sky (María Victoria Menis)
- Ma mère (Christophe Honoré)
- Male Fantasy (Blaine Thurier)
- Mon père est ingénieur (Robert Guédiguian)
- My Summer of Love (Paweł Pawlikowski)
- Mysterious Skin (Gregg Araki)
- Niceland (Fridrik Thor Fridriksson)
- Nobody Knows (Hirokazu Koreeda)
- Oldboy (Park Chan-wook)
- Our Own (Dmitry Meskhiyev)
- Plastic Flowers (Liu Bingjian)
- Quill (Yoichi Sai)
- Real Life (Panos Koutras)
- Rois et reine (Arnaud Desplechin)
- Rolling Family (Pablo Trapero)
- Shiza (Gulshat Omarova)
- Siblings (David Weaver)
- Somersault (Cate Shortland)
- Spider Forest Song (Il-gon)
- Stray Dogs (Marzieh Meshkini)
- The Tuner (Kira Muratova)
- Turtles Can Fly (Bahman Ghobadi)
- Two Great Sheep (Liu Hao)
- Up and Down (Jan Hřebejk)
- Walk on Water (Eytan Fox)
- Whisky (Juan Pablo Rebella, Pablo Stoll)
- Wilby Wonderful (Daniel MacIvor)
- The Woodsman (Nicole Kassell)
- The World (Jia Zhangke)
Read more about this topic: 2004 Toronto International Film Festival
Famous quotes containing the words contemporary, world and/or cinema:
“Anyone who has invented a better mousetrap, or the contemporary equivalent, can expect to be harassed by strangers demanding that you read their unpublished manuscripts or undergo the humiliation of public speaking, usually on remote Midwestern campuses.”
—Barbara Ehrenreich (b. 1941)
“The world dies over and over again, but the skeleton always gets up and walks.”
—Henry Miller (1891–1980)
“I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (1915–1984)