Contemporary World Cinema
- 3-Iron (Kim Ki-duk)
- After the Day Before (Attila Janisch)
- Almost Brothers (Lúcia Murat)
- The Alzheimer Case (Erik Van Looy)
- Antares (Götz Spielmann)
- As Follows (Federico Veiroj)
- BOMBÓN - El Perro (Carlos Sorín)
- Breaking News (Johnnie To)
- Brodeuses (Eléonore Faucher)
- Brothers (Susanne Bier)
- Cool (Theo van Gogh)
- Crónicas (Sebastián Cordero)
- Days and Hours (Pjer Žalica)
- Dead Man's Shoes (Shane Meadows)
- Dear Frankie (Shona Auerbach)
- Duck Season (Fernando Eimbcke)
- Earth and Ashes (Atiq Rahimi)
- L'Équipier (Philippe Lioret)
- La Femme de Gilles (Frédéric Fonteyne)
- Ferpect Crime (Álex de la Iglesia)
- Hidden Flaws (Paula van der Oest)
- The Holy Girl (Lucrecia Martel)
- Hotel (Jessica Hausner)
- The Keys to the House (Gianni Amelio)
- Ils se marièrent et eurent beaucoup d'enfants (Yvan Attal)
- Inconscientes (Joaquín Oristrell)
- Innocent Voices (Luis Mandoki)
- Lila dit ça (Ziad Doueiri)
- The Limb Salesman (Anais Granofsky)
- Little Sky (María Victoria Menis)
- Ma mère (Christophe Honoré)
- Male Fantasy (Blaine Thurier)
- Mon père est ingénieur (Robert Guédiguian)
- My Summer of Love (Paweł Pawlikowski)
- Mysterious Skin (Gregg Araki)
- Niceland (Fridrik Thor Fridriksson)
- Nobody Knows (Hirokazu Koreeda)
- Oldboy (Park Chan-wook)
- Our Own (Dmitry Meskhiyev)
- Plastic Flowers (Liu Bingjian)
- Quill (Yoichi Sai)
- Real Life (Panos Koutras)
- Rois et reine (Arnaud Desplechin)
- Rolling Family (Pablo Trapero)
- Shiza (Gulshat Omarova)
- Siblings (David Weaver)
- Somersault (Cate Shortland)
- Spider Forest Song (Il-gon)
- Stray Dogs (Marzieh Meshkini)
- The Tuner (Kira Muratova)
- Turtles Can Fly (Bahman Ghobadi)
- Two Great Sheep (Liu Hao)
- Up and Down (Jan Hřebejk)
- Walk on Water (Eytan Fox)
- Whisky (Juan Pablo Rebella, Pablo Stoll)
- Wilby Wonderful (Daniel MacIvor)
- The Woodsman (Nicole Kassell)
- The World (Jia Zhangke)
Read more about this topic: 2004 Toronto International Film Festival
Famous quotes containing the words contemporary, world and/or cinema:
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“The cinema is going to form the mind of England. The national conscience, the national ideals and tests of conduct, will be those of the film.”
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