Pop
- Best Female Pop Vocal Performance
"What a Girl Wants" - Christina Aguilera
"I Try" - Macy Gray
"Music" - Madonna
"Save Me" - Aimee Mann
"Both Sides Now" - Joni Mitchell
"Oops!...I Did It Again" - Britney Spears
- Best Male Pop Vocal Performance
"You Sang to Me" - Marc Anthony
"Taking You Home" - Don Henley
"She Bangs" - Ricky Martin
"6, 8, 12" - Brian McKnight
"She Walks This Earth" - Sting
- Best Pop Performance by a Duo or Group with Vocals
"Show Me The Meaning Of Being Lonely" - Backstreet Boys
"Pinch Me" - Barenaked Ladies
"Cousin Dupree" - Steely Dan
"Breathless" - The Corrs
"Bye Bye Bye" - *NSYNC
- Best Pop Collaboration with Vocals
"Is You Is, or Is You Ain't (My Baby)" - B.B. King & Dr. John
"Thank God I Found You" - Mariah Carey, 98 Degrees & Joe
"The Difficult Kind" - Sheryl Crow & Sarah McLachlan
"All the Way" - Celine Dion & Frank Sinatra
"Turn Your Lights Down Low" - Lauryn Hill & Bob Marley
- Best Pop Instrumental Performance
Brian Setzer for "Caravan" performed by the Brian Setzer Orchestra
- Best Dance Recording
Michael Mangini, Steve Greenberg (producers & mixers) & Baha Men for "Who Let the Dogs Out"
- Best Pop Vocal Album
Elliot Scheiner, Phil Burnett, Roger Nichols (engineers/mixers), Donald Fagen, Walter Becker (producers) & Steely Dan for Two Against Nature
- Best Pop Instrumental Album
Dan Gellert (engineer/mixer) & Joe Jackson (producer & artist) for Symphony No. 1
Read more about this topic: 2001 Grammy Awards
Famous quotes containing the word pop:
“There is no comparing the brutality and cynicism of today’s pop culture with that of forty years ago: from High Noon to Robocop is a long descent.”
—Charles Krauthammer (b. 1950)
“I don’t pop my cork for ev’ry guy I see.”
—Dorothy Fields (1904–1974)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)