Indiscreet Charms: New Spanish Cinema
- Alone directed by Benito Zambrano
- Beloved/Friend directed by Ventura Pons
- Between Your Legs directed by Manuel Gomez Pereira
- Do You Really Wanna Know? directed by Jurdao Faemino, Blanco Faemino, Javier Jurdao and Pedro Blanco
- Dying of Laughter directed by Álex de la Iglesia
- Fading Memories directed by Enrique Gabriel
- Flesh directed by Begona Vicario
- Flowers from Another World directed by Icíar Bollaín
- Frivolinas directed by Arturo Carballo
- Golden Whore directed by Miquel Crespi Traveria
- Havana Quartet directed by Fernando Colomo
- Jealousy directed by Vicente Aranda
- Lisbon directed by Antonio Hernández
- The Mole and the Fairy directed by Eduardo Gimenez Rojo
- Rapture directed by Iván Zulueta
- Roulette directed by Roberto Santiago
- Washington Wolves directed by Mariano Barroso
Read more about this topic: 1999 Toronto International Film Festival
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“If my intentions were not to be read in my eyes and voice, I should not have survived so long without quarrels and without harm, seeing the indiscreet freedom with which I say, right or wrong, whatever comes into my head.”
—Michel de Montaigne (1533–1592)
“It’s like a jumble of huts in a jungle somewhere. I don’t understand how you can live there. It’s really, completely dead. Walk along the street, there’s nothing moving. I’ve lived in small Spanish fishing villages which were literally sunny all day long everyday of the week, but they weren’t as boring as Los Angeles.”
—Truman Capote (1924–1984)
“Photography is truth. The cinema is truth twenty-four times per second.”
—Jean-Luc Godard (b. 1930)