Training Camp Drama
Training camp 1989 opened with the usual holdouts that were common in the 1980s, even though without tree free agency players had no real leverage. Steve McMichael held out briefly in hopes of renegotiating the contract he had signed the previous season, and William Perry, Dave Duerson and Shaun Gayle missed several days before signing. The Most notable holdouts were the first round picks, Armstrong and Woolford. The former missed the first three weeks of camp, while the latter didn't sign until after the first preseason game. These holdouts would trigger a unique change in Bears draft philosophy the following season.
Read more about this topic: 1989 Chicago Bears Season
Famous quotes containing the words training, camp and/or drama:
“The triumphs of peace have been in some proximity to war. Whilst the hand was still familiar with the sword-hilt, whilst the habits of the camp were still visible in the port and complexion of the gentleman, his intellectual power culminated; the compression and tension of these stern conditions is a training for the finest and softest arts, and can rarely be compensated in tranquil times, except by some analogous vigor drawn from occupations as hardy as war.”
—Ralph Waldo Emerson (1803–1882)
“Among the interesting thing in camp are the boys. You recollect the boy in Captain McIlrath’s company; we have another like unto him in Captain Woodward’s. He ran away from Norwalk to Camp Dennison; went into the Fifth, then into the Guthries, and as we passed their camp, he was pleased with us, and now is “a boy of the Twenty-third.” He drills, plays officer, soldier, or errand boy, and is a curiosity in camp.”
—Rutherford Birchard Hayes (1822–1893)
“The universal social pressure upon women to be all alike, and do all the same things, and to be content with identical restrictions, has resulted not only in terrible suffering in the lives of exceptional women, but also in the loss of unmeasured feminine values in special gifts. The Drama of the Woman of Genius has too often been a tragedy of misshapen and perverted power.”
—Anna Garlin Spencer (1851–1931)