1973 National League Championship Series
The 1973 National League Championship Series was played between the New York Mets and the Cincinnati Reds from October 6 to October 10. New York won the series three games to two and advanced to the World Series, where they lost to the Oakland A's in what was the second of three straight world championships for Oakland. The Mets set a record for lowest win percentage by a pennant winner, finishing the regular season with an 82–79 record.
The 1973 NLCS was marked by a fight that broke out in the fifth inning of the third game, beginning with a tussle between Cincinnati's Pete Rose and New York's Bud Harrelson at second base. Players from both sides joined in a general melee that lasted for several minutes and set off rowdy fan behavior at Shea Stadium in New York. Photographs of the fight, autographed by Rose and Harrelson, are now available at a number of Internet sites.
This was the only NLCS between 1970 and 1980 not to feature either the Philadelphia Phillies or the Pittsburgh Pirates.
Read more about 1973 National League Championship Series: Composite Line Score
Famous quotes containing the words national, league and/or series:
“We are constantly thinking of the great war ... which saved the Union ... but it was a war that did a great deal more than that. It created in this country what had never existed before—a national consciousness. It was not the salvation of the Union, it was the rebirth of the Union.”
—Woodrow Wilson (1856–1924)
“I am not impressed by the Ivy League establishments. Of course they graduate the best—it’s all they’ll take, leaving to others the problem of educating the country. They will give you an education the way the banks will give you money—provided you can prove to their satisfaction that you don’t need it.”
—Peter De Vries (b. 1910)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)