Features of Yayoi Culture
The earliest archaeological evidence of the Yayoi is found on northern Kyūshū, though this is still debated. Yayoi culture quickly spread to the main island of Honshū mixing with native Jōmon culture. Yayoi pottery was simply decorated, and produced on a potter's wheel, as opposed to Jōmon pottery, which was produced by hand. Yayoi craft specialists made bronze ceremonial bells (Dōtaku), mirrors, and weapons. By the 1st century AD, Yayoi farmers began using iron agricultural tools and weapons.
As the Yayoi population increased, the society became more stratified and complex. They wove textiles, lived in permanent farming villages, and constructed buildings with wood and stone. They also accumulated wealth through land ownership and the storage of grain. These factors promoted the development of distinct social classes. Yayoi chiefs, in some parts of Kyūshū, appear to have sponsored, and politically manipulated, trade in bronze and other prestige objects. This was possible due to the introduction of an irrigated, wet-rice culture from the Yangtze estuary in southern China via the Ryukyu Islands or Korean Peninsula. Wet-rice agriculture led to the development and growth of a sedentary, agrarian society in Japan. Local political and social developments in Japan were more important than the activities of the central authority within a stratified society.
Direct comparisons between Jōmon and Yayoi skeletons show that the two peoples are noticeably distinguishable. The Jōmon tended to be shorter, with relatively longer forearms and lower legs, more wide-set eyes, shorter and wider faces, and much more pronounced facial topography. They also have strikingly raised brow ridges, noses, and nose bridges. Yayoi people, on the other hand, averaged an inch or two taller, with close-set eyes, high and narrow faces, and flat brow ridges and noses. By the Kofun period, almost all skeletons excavated in Japan, except those of the Ainu and Okinawans, resemble those of modern day Japanese.
Read more about this topic: Yayoi Period
Other articles related to "yayoi":
... Yayoi, the main heroine of the manga series Mugen Spiral Yayoi Tsubaki, a character in the fighting game series BlazBlue Yayoi Fujisawa (やよい), a character in the ...
... Japanese), Stephanie Wittels (English) (TV), Saori Hayami (OVA) Yayoi Nakayama (中山 弥生, Nakayama Yayoi?) is initially forced to harass Ikki by Buccha's team, though she ... Construction.It was said by Ine Makigami that she saw potential in Yayoi as an AT-Tuner, she even mistook Yayoi as the team's tuner ... Agito never seems to recognize Yayoi without her braids, always yelling who she is whenever she bothers him with her hair down ...
... Yayoi (弥生?) means the month of March ... It can also refer to Yayoi (given name), a Japanese female given name Yayoi period, a pre-historical era in Japan Yayoi, Ōita, a town in Japan Yayoi, Tokyo, an area of Tokyo Yoyoi Kaikei - A Japanese ...
... Yayoi Shimotsuki (霜月 弥生, Shimotsuki Yayoi?) and Satsuki Shiwasu (師走 五月, Shiwasu Satsuki?) are two of Natsumi's classmates, her best friends long before Koyuki's debut this relationship has ... Yayoi leads the school drama club with the passion of a thespian and Satsuki, the more physically adept of the two, is in the swim team ... In one episode Yayoi and Satsuki get to meet Keroro ...
... Yayoi (弥生) is a neighborhood in Bunkyo, Tokyo ... The pottery became known as Yayoi, and eventually a period of Japanese history assumed the same name ...
Famous quotes containing the words features of, culture and/or features:
“The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.”
—Marcel Proust (18711922)
“As the end of the century approaches, all our culture is like the culture of flies at the beginning of winter. Having lost their agility, dreamy and demented, they turn slowly about the window in the first icy mists of morning. They give themselves a last wash and brush-up, their ocellated eyes roll, and they fall down the curtains.”
—Jean Baudrillard (b. 1929)
“It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the windowpane.”
—Robert Frost (18741963)