Wills Memorial Building - History

History

The Wills Memorial Building was commissioned in 1912 by George Alfred Wills and Henry Herbert Wills, the magnates of the Bristol tobacco company W. D. & H. O. Wills, in honour of their father, Henry Overton Wills III, benefactor and first Chancellor of the University who donated £100,000 to the University. Sir George Oatley, who also worked on a number of other buildings for the University, was chosen as architect and told to "build to last". He produced a design in the Perpendicular Gothic style, to evoke the famous university buildings of Oxford and Cambridge. The building was funded through the fortunes which the Wills family made through tobacco Oatley later claimed that his inspiration for the building came from a dream where he saw a tower on a hill with shields around it.

Construction was started in 1915 but was halted in 1916 due to the continuation of World War I. Building was restarted in 1919, and the Wills Memorial Building was finally opened on June 9, 1925 by King George V and Queen Mary, having cost a total of £501,566 19s 10d. The building was opened with a Royal Salute of 21 chimes from 'Great George', the nine and a half ton bell within the octagonal belfry of the tower, which is tolled on the death of a monarch or chancellor. To celebrate the Centenary of the University receiving its charter, 'Great George' was rung, along with bells in Bristol's other churches, just as they did in May 1909 when King Edward VII granted the University its Royal Charter to grant degrees. Oatley received a knighthood that same year in recognition of his work on the building.

In 1940, during the Bristol Blitz of World War II, the Great Hall with its Hammerbeam roof, was badly damaged by a German bomb-blast, and was restored in the 1960s to Oatley's original design. At the same time the adjoining wing was enlarged by Ralph Brentnall.

Read more about this topic:  Wills Memorial Building

Famous quotes containing the word history:

    This is the greatest week in the history of the world since the Creation, because as a result of what happened in this week, the world is bigger, infinitely.
    Richard M. Nixon (1913–1995)

    The history of a soldier’s wound beguiles the pain of it.
    Laurence Sterne (1713–1768)

    Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
    Bertolt Brecht (1898–1956)