Camille Paglia
Camille Anna Paglia (/ˈpɑːliə/; born April 2, 1947) is an American author, teacher, and social critic. Paglia, a self-described dissident feminist, has been a professor at The University of the Arts in Philadelphia, Pennsylvania since 1984. She wrote Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), a best-selling work of literary criticism, among other books and essays. She also wrote an analysis of Alfred Hitchcock's The Birds, and Break, Blow, Burn on poetry. She writes articles on art, popular culture, feminism, and politics. Paglia has celebrated Madonna and taken radical libertarian positions on controversial social issues such as abortion, homosexuality and drug use. She is known as a critic of American feminism, and is also strongly critical of the influence of French writers such as Jacques Lacan, Jacques Derrida, and Michel Foucault.
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Famous quotes by camille paglia:
“Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straightshooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.”
—Camille Paglia (b. 1947)
“Our major universities are now stuck with an army of pedestrian, toadying careerists, Fifties types who wave around Sixties banners to conceal their record of ruthless, beaverlike tunneling to the top.”
—Camille Paglia (b. 1947)
“Education has become a prisoner of contemporaneity. It is the past, not the dizzy present, that is the best door to the future.”
—Camille Paglia (b. 1947)
“I have a dream: in my dream ... Aretha Franklin, in her fabulous black-lipstick Jumpin Jack Flash outfit, leaps from her seat at Maxims and, shouting Think!, blasts Lacan, Derrida and Foucault like dishrags against the wall, then leads thousands of freed academic white slaves in a victory parade down the Champs-Elysées.”
—Camille Paglia (b. 1947)
“When anything goes, its women who lose.”
—Camille Paglia (b. 1947)