Camille Paglia
Camille Anna Paglia (/ˈpɑːliə/; born April 2, 1947) is an American author, teacher, and social critic. Paglia, a self-described dissident feminist, has been a professor at The University of the Arts in Philadelphia, Pennsylvania since 1984. She wrote Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), a best-selling work of literary criticism, among other books and essays. She also wrote an analysis of Alfred Hitchcock's The Birds, and Break, Blow, Burn on poetry. She writes articles on art, popular culture, feminism, and politics. Paglia has celebrated Madonna and taken radical libertarian positions on controversial social issues such as abortion, homosexuality and drug use. She is known as a critic of American feminism, and is also strongly critical of the influence of French writers such as Jacques Lacan, Jacques Derrida, and Michel Foucault.
Read more about Camille Paglia: Overview, Personal Life, Education, Career, Works
Famous quotes by camille paglia:
“Minerva save us from the cloying syrup of coercive compassion!”
—Camille Paglia (b. 1947)
“Our major universities are now stuck with an army of pedestrian, toadying careerists, Fifties types who wave around Sixties banners to conceal their record of ruthless, beaverlike tunneling to the top.”
—Camille Paglia (b. 1947)
“A serious problem in America is the gap between academe and the mass media, which is our culture. Professors of humanities, with all their leftist fantasies, have little direct knowledge of American life and no impact whatever on public policy.”
—Camille Paglia (b. 1947)
“The trauma of the Sixties persuaded me that my generation’s egalitarianism was a sentimental error.... I now see the hierarchical as both beautiful and necessary. Efficiency liberates; egalitarianism tangles, delays, blocks, deadens.”
—Camille Paglia (b. 1947)
“Whiffle [whine and wheeze and snuff and sniffle]: The annoying scratchy sound made by weepy feminists as they lament the sufferings of women and, houndlike, sniff out evidence of male oppression.”
—Camille Paglia (b. 1947)