Walls in Popular Culture
Walls are often seen in popular culture representing barriers preventing progress or entry. For example, the progressive/psychedelic rock band Pink Floyd used a metaphorical wall to represent the isolation felt by the protagonist of their 1979 concept album The Wall. American poet laureate Robert Frost describes a pointless rock wall as a metaphor for the myopia of the culture-bound in his poem Mending Wall. In a real-life example, the Berlin Wall, constructed by the Soviet Union to divide Berlin into NATO and Warsaw Pact zones of occupation, became a worldwide symbol of oppression and isolation.
In some cases, a wall may refer to an individual's debilitating mental or physical condition, seen as an impassable barrier.
Another common usage is as a communal surface to write upon. For instance the social networking site Facebook uses an electronic "wall" to log the scrawls of friends.
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Famous quotes containing the words popular culture, walls, popular and/or culture:
“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“Nor stony tower, nor walls of beaten brass,
Nor airless dungeon, nor strong links of iron,
Can be retentive to the strength of spirit.”
—William Shakespeare (1564–1616)
“Much of the ill-tempered railing against women that has characterized the popular writing of the last two years is a half-hearted attempt to find a way back to a more balanced relationship between our biological selves and the world we have built. So women are scolded both for being mothers and for not being mothers, for wanting to eat their cake and have it too, and for not wanting to eat their cake and have it too.”
—Margaret Mead (1901–1978)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)