Wall - Walls in Popular Culture

Walls in Popular Culture

Walls are often seen in popular culture representing barriers preventing progress or entry. For example, the progressive/psychedelic rock band Pink Floyd used a metaphorical wall to represent the isolation felt by the protagonist of their 1979 concept album The Wall. American poet laureate Robert Frost describes a pointless rock wall as a metaphor for the myopia of the culture-bound in his poem Mending Wall. In a real-life example, the Berlin Wall, constructed by the Soviet Union to divide Berlin into NATO and Warsaw Pact zones of occupation, became a worldwide symbol of oppression and isolation.

In some cases, a wall may refer to an individual's debilitating mental or physical condition, seen as an impassable barrier.

Another common usage is as a communal surface to write upon. For instance the social networking site Facebook uses an electronic "wall" to log the scrawls of friends.

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Famous quotes containing the words popular culture, walls, popular and/or culture:

    “The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
    —Carl Bernstein (b. 1944)

    “Do you know what Agelisas said, when he was asked why the great city of Lacedomonie was not girded with walls? Because, pointing out the inhabitants and citizens of the city, so expert in military discipline and so strong and well armed: “Here,” he said, “are the walls of the city,” meaning that there is no wall but of bones, and that towns and cities can have no more secure nor stronger wall than the virtue of their citizens and inhabitants.”
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    “A popular Government, without popular information, or the means of acquiring it, is but a Prologue to a Farce or a Tragedy.”
    —James Madison (1751–1836)

    “It is of the essence of imaginative culture that it transcends the limits both of the naturally possible and of the morally acceptable.”
    —Northrop Frye (b. 1912)