Waiting For A World War

Waiting For A World War is the debut album released by the indie rock band Dolour. The album was produced by Blake Wescott and Dolour. The artwork was done by Jesse LeDoux (who is now most known for his The Shins and Pedro The Lion album covers). "(No) Ordinary People" was featured on a 2001 episode of The Challenge (TV series), then called Real World/Road Rules Challenge.

Waiting For A World of War
Studio album by Dolour
Released April 17, 2001
Recorded July 2000 - September 2000
Genre Indie pop
Label Sonic Boom Records
Dolour chronology
Waiting For A World War
(2001)
Suburbiac (2002)
Professional ratings
Review scores
Source Rating
Allmusic

Read more about Waiting For A World War:  Track Listing, Musicians, Release Date

Famous quotes containing the words waiting for a, waiting for, waiting, world and/or war:

    Within the university ... you can study without waiting for any efficient or immediate result. You may search, just for the sake of searching, and try for the sake of trying. So there is a possibility of what I would call playing. It’s perhaps the only place within society where play is possible to such an extent.
    Jacques Derrida (b. 1930)

    Infants and young children are not just sitting twiddling their thumbs, waiting for their parents to teach them to read and do math. They are expending a vast amount of time and effort in exploring and understanding their immediate world. Healthy education supports and encourages this spontaneous learning.
    David Elkind (20th century)

    Infants and young children are not just sitting twiddling their thumbs, waiting for their parents to teach them to read and do math. They are expending a vast amount of time and effort in exploring and understanding their immediate world. Healthy education supports and encourages this spontaneous learning.
    David Elkind (20th century)

    Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.
    Don Delillo (b. 1926)

    No more shall the war cry sever,
    Or the winding rivers be red:
    They banish our anger forever
    When they laurel the graves of our dead!
    Under the sod and the dew,
    Waiting the Judgment Day:—
    Love and tears for the Blue;
    Tears and love for the Gray.
    Francis Miles Finch (1827–1907)