Don DeLillo (born November 20, 1936) is an American essayist, novelist, playwright, and short story writer. His works have covered subjects as diverse as television, nuclear war, sports, the complexities of language, performance art, the Cold War, mathematics, the advent of the digital age, and global terrorism. He currently lives near New York City in the suburb of Bronxville. DeLillo has twice been a Pulitzer Prize for Fiction finalist for Mao II and Underworld (1992 and 1998, respectively), won the PEN/Faulkner Award for Mao II in 1992 (receiving a further PEN/Faulkner Award nomination for The Angel Esmeralda in 2012), and was granted the PEN/Saul Bellow Award for Achievement in American Fiction in 2010. DeLillo has described his fiction as being influenced by " the fact that we're living in dangerous times. If I could put it in a sentence, in fact, my work is about just that: living in dangerous times", and in a 2005 interview declared, "Writers must oppose systems. It's important to write against power, corporations, the state, and the whole system of consumption and of debilitating entertainments I think writers, by nature, must oppose things, oppose whatever power tries to impose on us."
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Some articles on don delillo:
... Rigging The Novels of Cormac McCarthy, Don Delillo, and Robert Stone,McGill-Queen's University Press, 2012 ... Bloom, Harold (ed.), Don DeLillo (Bloom's Major Novelists), Chelsea House, 2003 ... Boxall, Peter, Don DeLillo The Possibility of Fiction, Routledge, 2006 ...
... Don DeLillo acknowledged Lish's influence as a teacher and friend in dedicating his book Mao II to Lish ... dedicated his books My Romance, Mourner at the Door and Epigraph to Don DeLillo ... Lish also wrote an afterword to the publication of Don DeLillo's first play, The Engineer of Moonlight, in which he attacks those who would call DeLillo's vision bleak ...
Famous quotes containing the words don delillo and/or delillo:
“Theres never a dearth of reasons to shoot at the President.”
—Don Delillo (b. 1926)
“In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. Its the drowning out of false voices.”
—Don Delillo (b. 1926)