The Lowenfeld Memorial Collection
Viktor Lowenfeld left behind an association of friends and followers including Edward L. Mattil who helped establish the Viktor Lowenfeld Memorial Fund. Dr. Mattil, at the time of Dr. Lowenfeld’s death, was also asked to serve as head of the Department of Art Education. The Memorial Fund was administered by a local committee composed of Elizabeth Yeager, Yar Chomicky, George Pappas, Walter C. Reid, and George S. Zoretich; and by the National Committee which included Kenneth R. Beittel, Mayo Brice, F. Louis Hoover, Edward L. Mattil, Charles M. Robertson and D. Kenneth Winebrenner. The national memorial provided moneys for research papers by eminent scholars every second year at the NAEA convention. About five such papers have been delivered. The money of the local committee was spent to purchase sculpture, trees, and plaques for a memorial garden area within the College of Education at The Pennsylvania State University. During this drive, graduated students contributed paintings, sculptures, and drawings to the Lowenfeld Memorial Collection.
The contributions are still welcomed today. The collection which amounts to more than seventy works is located within the Arts Cottage, the Chambers Building, the Cedar Building, and the Rackley Building at the University Park Campus.
Read more about this topic: Viktor Lowenfeld
Famous quotes containing the words memorial and/or collection:
“When I received this [coronation] ring I solemnly bound myself in marriage to the realm; and it will be quite sufficient for the memorial of my name and for my glory, if, when I die, an inscription be engraved on a marble tomb, saying, “Here lieth Elizabeth, which reigned a virgin, and died a virgin.””
—Elizabeth I (1533–1603)
“Bolkenstein, a Minister, was speaking on the Dutch programme from London, and he said that they ought to make a collection of diaries and letters after the war. Of course, they all made a rush at my diary immediately. Just imagine how interesting it would be if I were to publish a romance of the “Secret Annexe.” The title alone would be enough to make people think it was a detective story.”
—Anne Frank (1929–1945)