Music
An original score was composed for Videodrome by Cronenberg's close friend, Howard Shore. The score was composed to follow Max Renn's descent into video hallucinations, starting out with dramatic orchestral music that increasingly incorporates, and eventually emphasizes, electronic instrumentation. To achieve this, Shore composed the entire score for an orchestra before programming it into a Synclavier II digital synthesizer. The rendered score, taken from the Synclavier II, was then recorded being played in tandem with a small string section. The resulting sound was a subtle blend that often made it difficult to tell which sounds were real and which were synthesized.
The music for the film plays over the Universal logo. "So right from the Universal Logo, you are already kind of unsettled," Cronenberg said, "That's because of Howard Shore's wonderful score for the movie, which was subversive and perverse and unsettling without being obvious."
The soundtrack was also released on vinyl by Varèse Sarabande and was re-released on compact disc in 1998. The album itself is not just a straight copy of Howard Shore's score, but rather a remixing. Howard Shore has commented that while there were small issues with some of the acoustic numbers, that "on the whole I think they did very well." The album is currently out of print.
Videodrome's cult film status has made it a popular source for sampling and homage in Electro-industrial, EBM, and heavy metal music. It ranked tenth on the Top 1,319 Sample Sources list of 2004.
Read more about this topic: Videodrome
Famous quotes containing the word music:
“Did the kiss of Mother Mary
Put that music in her face?
Yet she goes with footstep wary,
Full of earth’s old timid grace.”
—William Butler Yeats (1865–1939)
“As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music.”
—Henry David Thoreau (1817–1862)
“The time was once, when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savored in thy taste,
Unless I spake, or looked, or touched, or carved to thee.”
—William Shakespeare (1564–1616)