Venus de Milo - Fame

Fame

The great fame of the Aphrodite of Milos during the nineteenth century was not simply the result of its admitted beauty, but also owed much to a major propaganda effort by the French authorities. In 1815, France had returned the Medici Venus to the Italians after it had been looted from Italy by Napoleon Bonaparte. The Medici Venus, regarded as one of the finest Classical sculptures in existence, caused the French to promote the Venus de Milo as a greater treasure than that which they recently had lost. The de Milo statue was praised dutifully by many artists and critics as the epitome of graceful female beauty, however, Pierre-Auguste Renoir was among its detractors, labeling it a "big gendarme".

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