Place in Comic Book Continuity
While the game begins three months after the events of the Ultimate Venom arc, its place in Ultimate Universe continuity was the subject of much confusion and debate. At the time of the game's release, it was believed that the story took place between issues #71 and 72 of Ultimate Spider-Man. A few months later, Marvel.com advertised the Silver Sable arc as dealing with the aftermath of the Ultimate Spider-Man video game. However, no parts of the game were acknowledged and Silver Sable does not know Peter Parker's secret identity, contradicting the game. Some events of the game were later referred to, such as Spider-Man now addressing the Shocker as "Herman."
In 2009, the events of the video game were officially brought into Ultimate Universe canon through a story entitled "War of the Symbiotes." However, much of the game's story was changed or shortened in the process. Peter Parker's transformation into Carnage was ignored, as was Silver Sable's abduction of him. In the comic, the symbiote abandons Eddie Brock while battling Spider-Man, and once again takes on Peter Parker as a host. He is soon separated from the suit by the Ultimates, and Brock escapes, now powerless. Eventually Eddie Brock returns and absorbs the Carnage symbiote. However, instead of taking it off of Peter Parker, as in the game, he absorbs it from a clone of Gwen Stacy. This restores his ability to change into Venom, and gives him complete control over the suit as well. The story ends as the Venom suit, with Brock still inside, is neutralized and stolen by the Beetle, who takes it to Doctor Doom in Latveria.
Read more about this topic: Ultimate Spider-Man (video Game)
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“The advantage of time and place in all practical actions is half a victory; which being lost is irrecoverable.”
—Francis, Sir Drake (1540–1596)
“In place of a world, there is a city, a point, in which the whole life of broad regions is collecting while the rest dries up. In place of a type-true people, born of and grown on the soil, there is a new sort of nomad, cohering unstably in fluid masses, the parasitical city dweller, traditionless, utterly matter-of-fact, religionless, clever, unfruitful, deeply contemptuous of the countryman and especially that highest form of countryman, the country gentleman.”
—Oswald Spengler (1880–1936)
“Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true and false but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.”
—Marie Collins Swabey. Comic Laughter, ch. 7, Yale University Press (1961)
“If the book is good, is about something that you know, and is truly written, and reading it over you see that this is so, you can let the boys yip and the noise will have that pleasant sound coyotes make on a very cold night when they are out in the snow and you are in your own cabin that you have built or paid for with your work.”
—Ernest Hemingway (1899–1961)
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
—John Dos Passos (1896–1970)