Typesetting - Letterpress Era

Letterpress Era

During the letterpress era, moveable type was composed by hand for each page. Cast metal sorts were composited into words and lines of text and tightly bound together to make up a page image called a forme, with all letter faces exactly the same height to form an even surface of type. The forme was mounted in a press, inked, and an impression made on paper.

The diagram at right illustrates a cast metal sort: a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot. Wooden printing sorts were in use for centuries in combination with metal type.

Copies of formes were cast when anticipating subsequent printings of a text, freeing the costly type for other work. In this process, called stereotyping, the entire forme is pressed into a fine matrix such as plaster of Paris or papier mâché called a flong to create a positive, from which the stereotype forme was cast of type metal.

Advances such as the typewriter and computer would push the state of the art even farther ahead. Still, hand composition and letterpress printing did not fall completely out of use, and since the introduction of digital typesetting, it has seen a revival as an artisanal pursuit. However, it is a very small niche within the larger typesetting market.