Promotion and Live Performances
In 1987, Farmer appeared on many French channels such as TF1, Antenne 2, FR3, Canal + and France 5 to promote the song. She then performed "Tristana" in a total of 26 television shows from 19 February to 15 December in which she was sometimes interviewed before or after her performance. On certain shows, she also sung "Au Bout de la nuit", "La Ronde triste" and "Sans contrefaçon". At each performance, Farmer wore a special costume and, for the first time, she performed a choreography with dancers. She always sung "Tristana" in lip sync, except in the show La Nouvelle Affiche on 1 April 1987, but there were a few problems with the sound during this performance and Farmer had difficulty to sing in high notes. Because of this, Farmer has not sung in live until 2003.
"Tristana" was sung on stage only during the 1989 tour. Then Farmer wore a red coat-dress, red boots and leather gloves, the female dancers were dressed as Russian farmers and the male dancers as Soviet soldiers. The choreography was based on the video: first performed by all the dancers, then by Farmer and two soldiers. After the performance, the singer left the stage being hugged by two dancers.
Read more about this topic: Tristana (song)
Famous quotes containing the words promotion, live and/or performances:
“I am asked if I would not be gratified if my friends would procure me promotion to a brigadier-generalship. My feeling is that I would rather be one of the good colonels than one of the poor generals. The colonel of a regiment has one of the most agreeable positions in the service, and one of the most useful. “A good colonel makes a good regiment,” is an axiom.”
—Rutherford Birchard Hayes (1822–1893)
“... if, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal, that we can understand our past through a male lens—if we are unaware that women even have a history—we live our lives similarly unanchored, drifting in response to a veering wind of myth and bias.”
—Adrienne Rich (b. 1929)
“This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (1893–1967)