Style
Both coming from a stand-up background, with a strong slant towards improvisational comedy, the style of the show was light, with only the occasional nod toward more serious issues. The pair both had little radio experience beforehand which brought a relaxed and unprofessional style to the show which the listeners enjoyed. The two presenters have been friends for years before coming to the show, and this is evident as the - occasionally spiky - but generally good-natured back-and-forth exchanges on a range of subjects frequently result in a humorous outcome. Listeners have also noted the excellent chemistry between the pair, which often involves mimicking each others voices. For example, Russell would mock Jon's Lancashire accent and use his characteristics to create a more extreme version of Jon. In return, Jon would depict Russell as a very simple West Country man.
Read more about this topic: The Russell Howard Show
Famous quotes containing the word style:
“A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
—Katherine Anne Porter (1890–1980)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)