Style
Both coming from a stand-up background, with a strong slant towards improvisational comedy, the style of the show was light, with only the occasional nod toward more serious issues. The pair both had little radio experience beforehand which brought a relaxed and unprofessional style to the show which the listeners enjoyed. The two presenters have been friends for years before coming to the show, and this is evident as the - occasionally spiky - but generally good-natured back-and-forth exchanges on a range of subjects frequently result in a humorous outcome. Listeners have also noted the excellent chemistry between the pair, which often involves mimicking each others voices. For example, Russell would mock Jon's Lancashire accent and use his characteristics to create a more extreme version of Jon. In return, Jon would depict Russell as a very simple West Country man.
Read more about this topic: The Russell Howard Show
Famous quotes containing the word style:
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
—Rémy De Gourmont (1858–1915)