History
The name for the Circus comes from the name of the creator, Howard C. Tibbals. Tibbals asked Ringling management if he could use their name for his circus when he started building it, but they refused. So he called it The Howard Bros. Circus instead. There never was a full-scale Howard Bros. Circus.
Tibbals began toying with circuses in 1943, at the age of 7. At 12 he was given a lathe and jigsaw, which advanced his model building. Tibbals started working on the model in earnest in 1956. Much of the circus was completed by 1974, but it did not premiere until the 1982 World Fair in Knoxville, TN. In 2004, Tibbals set up the Circus at its current location in the Ringling Estate's Tibbals Learning Center, which includes a full-scale replica of Tibbals's workshop. It took Tibbals over one year to set up the circus in its current location.
Some interesting facts about the circus:
- It contains 42,143 items, not including small pieces such as thousands of railroad stakes.
- It consists of eight large tents, 152 circus wagons, 1,500 workers and performers, 7,000 folding chairs and more than 500 hand-carved animals.
- Everything can be packed up into the 55 train cars, also individually hand-crafted.
- The display includes seven miniature video stations positioned in various tents with documentary footage of circus life from the 1920s and 1930s.
Read more about this topic: The Howard Bros. Circus
Famous quotes containing the word history:
“No event in American history is more misunderstood than the Vietnam War. It was misreported then, and it is misremembered now.”
—Richard M. Nixon (b. 1913)
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (1874–1936)
“When the coherence of the parts of a stone, or even that composition of parts which renders it extended; when these familiar objects, I say, are so inexplicable, and contain circumstances so repugnant and contradictory; with what assurance can we decide concerning the origin of worlds, or trace their history from eternity to eternity?”
—David Hume (1711–1776)