The Cambridge Edition of The Letters and Works of D. H. Lawrence - Novels

Novels

  • The White Peacock (1911), edited by Andrew Robertson, Cambridge University Press, 1983, ISBN 0-521-22267-2
  • The Trespasser (1912), edited by Elizabeth Mansfield, Cambridge University Press,1981, ISBN 0-521-22264-8
  • Sons and Lovers (1913), edited by Helen Baron and Carl Baron, Cambridge University Press, 1992, ISBN 0-521-24276-2
  • The Rainbow (1915), edited by Mark Kinkead-Weekes, Cambridge University Press, 1989, ISBN 0-521-00944-8
  • Women in Love (1920), edited by David Farmer, Lindeth Vasey and John Worthen, Cambridge University Press, 1987, ISBN 0-521-23565-0
  • The Lost Girl (1920), edited by John Worthen, Cambridge University Press, 1981, ISBN 0-521-22263-X
  • Aaron's Rod (1922) edited by Mara Kalnins, Cambridge University Press, 1988,ISBN 0-521-25250-4
  • Kangaroo (1923) edited by Bruce Steele, Cambridge University Press, 1994, ISBN 0-521-38455-9
  • The Boy in the Bush (1924), edited by Paul Eggert, Cambridge University Press, 1990, ISBN 0-521-30704-X
  • The Plumed Serpent (1926), edited by L. D. Clark, Cambridge University Press, 1987, ISBN 0-521-22262-1
  • Lady Chatterley's Lover(1928), edited by Michael Squires, Cambridge University Press, 1993, ISBN 0-521-22266-4

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Famous quotes containing the word novels:

    “The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
    —Milan Kundera (b. 1929)

    “An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
    —George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)