The Cambridge Edition of The Letters and Works of D. H. Lawrence - Novels

Novels

  • The White Peacock (1911), edited by Andrew Robertson, Cambridge University Press, 1983, ISBN 0-521-22267-2
  • The Trespasser (1912), edited by Elizabeth Mansfield, Cambridge University Press,1981, ISBN 0-521-22264-8
  • Sons and Lovers (1913), edited by Helen Baron and Carl Baron, Cambridge University Press, 1992, ISBN 0-521-24276-2
  • The Rainbow (1915), edited by Mark Kinkead-Weekes, Cambridge University Press, 1989, ISBN 0-521-00944-8
  • Women in Love (1920), edited by David Farmer, Lindeth Vasey and John Worthen, Cambridge University Press, 1987, ISBN 0-521-23565-0
  • The Lost Girl (1920), edited by John Worthen, Cambridge University Press, 1981, ISBN 0-521-22263-X
  • Aaron's Rod (1922) edited by Mara Kalnins, Cambridge University Press, 1988,ISBN 0-521-25250-4
  • Kangaroo (1923) edited by Bruce Steele, Cambridge University Press, 1994, ISBN 0-521-38455-9
  • The Boy in the Bush (1924), edited by Paul Eggert, Cambridge University Press, 1990, ISBN 0-521-30704-X
  • The Plumed Serpent (1926), edited by L. D. Clark, Cambridge University Press, 1987, ISBN 0-521-22262-1
  • Lady Chatterley's Lover(1928), edited by Michael Squires, Cambridge University Press, 1993, ISBN 0-521-22266-4

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Famous quotes containing the word novels:

    “But then in novels the most indifferent hero comes out right at last. Some god comes out of a theatrical cloud and leaves the poor devil ten thousand-a-year and a title.”
    —Anthony Trollope (1815–1882)

    “The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don’t know—Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel—the quality of philosophy.”
    —Doris Lessing (b. 1919)

    “Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.”
    —Ralph Waldo Emerson (1803–1882)