Further Reading
- Arnold, Alison (2000). "Pop Music and Audio-Cassette Technology: Southern Area – Film music". The Garland Encyclopedia of World Music. Taylor & Francis. ISBN 978-0-8240-4946-1.
- Bhaskaran, Theodore, Sundararaj (1996). Eye of The Serpent: An Introduction to Tamil Cinema. Chennai / University of Michigan: East West Books.
- Gokulsing, K.; Moti Gokulsing, Wimal (2004). Indian Popular Cinema: A Narrative of Cultural Change. Trentham Books. p. 132. ISBN 1-85856-329-1.
- Shohini Chaudhuri (2005). Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh University Press. p. 149. ISBN 0-7486-1799-X.
- Chinniah, Sathiavathi (2001). Tamil Movies Abroad: Singapore South Indian Youths and their Response to Tamil Cinema 8. Kolam.
- Guy, Randor (1997). Starlight, Starbright : The Early Tamil Cinema. Chennai. OCLC 52794531.
- Hughes, Stephen P. (February 24–25, 2005). "Tamil Cinema as Sonic Regime: Cinema Sound, Film Songs and the Making of a Mass Culture of Music". New Perspectives on the Nineteenth and Twentieth Century. Keynote address: South Asia Conference at the University of Chicago. Chicago, Illinois.
- Kasbekar, Asha (2006). Pop Culture India!: Media, Arts and Lifestyle. ABC-CLIO. ISBN 978-1-85109-636-7.
- Ravindran, Gopalan (March 17–18, 2006). "Negotiating identities in the Diasporic Space: Transnational Tamil Cinema and Malaysian Indians". Cultural Space and Public Sphere in Asia, 2006. Seoul, Korea: Korea Broadcasting Institute, Seoul.
- Nakassis, Constantine V.; Dean, Melanie A. (2007). "Desire, Youth, and Realism in Tamil Cinema". Journal of Linguistic Anthropology 17: 77–104. doi:10.1525/jlin.2007.17.1.77.
- Velayutham, Selvaraj (2008). Tamil Cinema: The Cultural Politics of India's Other Film Industry. Routledge. ISBN 978-0-415-39680-6.
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