Music
The musical traditions of Suvalkija are distinctive. The kanklės, possibly the most archaic Lithuanian instrument, took on distinguishable characteristics in the region; more heavily ornamented than elsewhere, its end is narrow, spreading out into a rounded shape. Recordings made in the 1930s, and reissued in the 21st century by the Institute of Lithuanian Literature and Folklore, contain waltzes, marches, schottisches, and krakowiaks. Popular polkas performed on the fiddle were a significant part of the local musicians' repertoire. The recordings from this era are monodic; there is usually one singer, and the music relies on variable modal structures, changes of tempo, and subtle ornamentation of the melody for interest.
The composition of the musical ensembles in the region changed during the middle 19th century. Earlier versions featured between one and three kanklės, a fiddle, and a būgnas (drum). Later ensembles often included one or two fiddles, a German or Viennese harmonica, a būgnas, and at times a cymbal, a clarinet, a coronet, or a besetle (a stringed bass). Ensembles featuring the fiddle and the būgnas were also popular.
Read more about this topic: Suvalkija, Folk Culture
Famous quotes containing the word music:
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)
“I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.”
—Lucy Larcom (18241893)
“Thy remembrance, and repentance, and deep musings are not free
From the music of two voices and the light of one sweet smile.”
—Percy Bysshe Shelley (17921822)