Suvalkija - Folk Culture - Music

Music

The musical traditions of Suvalkija are distinctive. The kanklės, possibly the most archaic Lithuanian instrument, took on distinguishable characteristics in the region; more heavily ornamented than elsewhere, its end is narrow, spreading out into a rounded shape. Recordings made in the 1930s, and reissued in the 21st century by the Institute of Lithuanian Literature and Folklore, contain waltzes, marches, schottisches, and krakowiaks. Popular polkas performed on the fiddle were a significant part of the local musicians' repertoire. The recordings from this era are monodic; there is usually one singer, and the music relies on variable modal structures, changes of tempo, and subtle ornamentation of the melody for interest.

The composition of the musical ensembles in the region changed during the middle 19th century. Earlier versions featured between one and three kanklės, a fiddle, and a būgnas (drum). Later ensembles often included one or two fiddles, a German or Viennese harmonica, a būgnas, and at times a cymbal, a clarinet, a coronet, or a besetle (a stringed bass). Ensembles featuring the fiddle and the būgnas were also popular.

Read more about this topic:  Suvalkija, Folk Culture

Famous quotes containing the word music:

    “Sound all the lofty instruments of war,
    And by that music let us all embrace,
    For, heaven to earth, some of us never shall
    A second time do such a courtesy.”
    —William Shakespeare (1564–1616)

    “There is a pleasure in the pathless woods,
    There is a rapture on the lonely shore,
    There is society where none intrudes
    By the deep sea, and music in its roar:
    I love not man the less, but nature more,”
    —George Gordon Noel Byron (1788–1824)

    “If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
    —W.H. (Wystan Hugh)