Stereophonic Sound - Motion Picture Era and Further Fantasound Development

Motion Picture Era and Further Fantasound Development

In 1937, Bell Laboratories in New York City gave a demonstration of two-channel stereophonic motion pictures, developed by Bell Labs and Electrical Research Products, Inc. Once again, conductor Leopold Stokowski was on hand to try out the new technology, recording onto a special proprietary nine-track sound system at the Academy of Music in Philadelphia, during the making of the movie One Hundred Men and a Girl for Universal Pictures in 1937, after which the tracks were mixed down to one for the final soundtrack. A year later, MGM started using three tracks instead of one to record the musical selections of movie soundtracks, and very quickly upgraded to four. One track was used for dialogue, two for music, and one for sound effects. The purpose for this form of multitrack recording was to make mixing down to a single optical track easier and was not intended to be a recording for stereophonic purposes. The very first two-track recording MGM made (although released in mono) was "It Never Rains But What It Pours" by Judy Garland, recorded on June 21, 1938, for the movie Love Finds Andy Hardy.

Read more about this topic:  Stereophonic Sound

Famous quotes containing the words motion, picture, era and/or development:

    “If we shall stand still
    In fear our motion will be mocked or carped at,
    We should take root here where we sit, or sit
    State-statues only.”
    —William Shakespeare (1564–1616)

    “And what is Genius but finer love, a love impersonal, a love of the flower and perfection of things, and a desire to draw a new picture or copy of the same? It looks to the cause and life: it proceeds from within outward, whilst Talent goes from without inward.”
    —Ralph Waldo Emerson (1803–1882)

    “It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
    —George Steiner (b. 1929)

    “I could not undertake to form a nucleus of an institution for the development of infant minds, where none already existed. It would be too cruel.”
    —Henry David Thoreau (1817–1862)