Speech Balloon - History

History

One of the earliest antecedents to the modern speech bubble were the “speech scrolls”, wispy lines that connected first person speech to the mouths of the speakers in Mesoamerican art.

In Western graphic art, labels that reveal what a pictured figure is saying have appeared since at least the 13th century. Word balloons (also known as 'banderoles') began appearing in 18th-century printed broadsides, and political cartoons from the American Revolution often used them. With the development of the comics industry in the 20th century, the appearance of speech balloons has become increasingly standardized, though the formal conventions that have evolved in different cultures (USA as opposed to Japan, for example), can be quite distinct.

The Yellow Kid is generally credited as the first American comic strip character. His words initially appeared on his yellow shirt but word balloons very much like those in use today were added almost immediately, as early as 1896. By the start of the 20th century the use of word balloons was ubiquitous, and since that time only a very few comic strips and comic books have relied on captions, notably Hal Foster's Prince Valiant and the early Tarzan comic strip. For many years, word balloons were less common in Europe than in the USA, or were used together with captions. One example is the Dutch cartoonist Marten Toonder's comics about Tom Puss and Oliver B. Bumble, where the literary captions are printed out below the strip and almost take up as much space as the drawings, so that the strip fills twice the space of most newspaper strips. A similar example from the UK is Rupert Bear.

Read more about this topic:  Speech Balloon

Famous quotes containing the word history:

    Those who weep for the happy periods which they encounter in history acknowledge what they want; not the alleviation but the silencing of misery.
    Albert Camus (1913–1960)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    A poet’s object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.
    Aristotle (384–323 B.C.)