Slave Songs of the United States was a collection of African American music published in 1867. It was the first, and most influential, collection of spirituals to be published; the collectors were Northern abolitionists, William Francis Allen, Lucy McKim Garrison and Charles Pickard Ware. It is a "milestone not just in African American music but in modern folk history". It is also the first published collection of African-American music of any kind.
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“Places where he might live and die and never hear of the United States, which make such a noise in the world,—never hear of America, so called from the name of a European gentleman.”
—Henry David Thoreau (1817–1862)
“Give the slave the least elevation of religious sentiment, and he is not slave: you are the slave: he not only in his humility feels his superiority, feels that much deplored condition of his to be a fading trifle, but he makes you feel it too. He is the master.”
—Ralph Waldo Emerson (1803–1882)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“It is a united will, not mere walls, which makes a fort.”
—Chinese proverb.
“My opinion is that the Northern states will manage somehow to muddle through.”
—John Bright (1811–1889)