Shogi - History

History

Shogi variants
Small variants
  • Nana shogi (3×3)
  • Dōbutsu shōgi (3×4, for children)
  • Micro shogi (4×5)
  • Minishogi (5×5)
  • Kyoto shogi (5×5)
  • Judkins shogi (6×6)
  • Whale shogi (6×6)
  • Tori shogi (7×7)
  • Yari shogi (7×9)
  • Cubic shogi (8×8)
  • Heian shogi (8×8 or 9×8, 12th c.)
Standard-size
variants
  • Sho shogi (9×9, 16th c.)
  • Cannon shogi (9×9)
  • Hasami shogi (9×9, 9 or 18 pc.)
  • Hand shogi (9×9, 19 pc., 10 in hand)
  • Annan shogi (9×9, neighbors influence movement)
  • Unashogi (9×9, all drops)
  • Masonic shogi (9×9, staggered ranks)
  • Hexshogi (85 hex cells)
  • Trishogi (9×10, triangular cells)
Large variants
  • Okisaki shogi (10×10)
  • Wa shogi (11×11)
  • Chu shogi (12×12)
  • Heian dai shogi (13×13)
  • Dai shogi (15×15)
  • Tenjiku shogi (16×16)
  • Dai-dai shōgi (17×17)
  • Maka dai-dai shōgi (19×19)
  • Kō shōgi (19×19)
  • Tai shogi (25×25)
  • Taikyoku shogi (36×36)
Multiplayer
variants
  • Sannin shogi (hex board, 7 cells per side, 3-player game)
  • Yonin shogi (9×9, 4-player game)
3D variants
  • Space Shogi (9×9×9 variant)

"The world's first chess variant chaturanga arose in India in approximately the seventh century AD. From there it migrated both westward and northward, mutating along the way." "The western branch became shatranj in Arabia and Orthodox Chess in Europe. The northern branch became xiangqi in China and janggi in Korea." "Sometime in the 10th to 12th centuries, 'chess' crossed the channel to Japan where it spawned a number of interesting variants." "One of these was called 'Small Shogi'." "Eventually, Small Shogi (though it went through many forms) won out over the larger variants and is now referred to simply as 'Shogi'." "It is certain that Shogi in its present form was played in Japan as early as the 16th century."

It is not clear when chess was brought to Japan. The earliest generally accepted mention of shogi is Shin Saru Gakuki (新猿楽記?) (1058–64) by Fujiwara Akihira. The oldest archaeological evidence is a group of 16 shogi pieces excavated from the grounds of Kōfuku-ji in Nara Prefecture. As it was physically associated with a wooden tablet written on in the sixth year of Tenki (1058), the pieces are thought to date from that period. These simple pieces were cut from a writing plaque in the same five-sided shape as modern pieces, with the names of the pieces written on them.

The dictionary of common folk culture, Nichūreki (二中歴?) (ca. 1210–21), a collection based on the two works Shōchūreki (掌中歴?) and Kaichūreki (懐中歴?), describes two forms of shogi, large (dai) shogi and small (shō) shogi. These are now called Heian shogi (or Heian small shogi) and Heian dai shogi. Heian small shogi is the version on which modern shogi is based, but the Nichūreki states that one wins if one's opponent is reduced to a single king, indicating that drops had not yet been introduced. According to Kōji Shimizu, chief researcher at the Archaeological Institute of Kashihara, Nara Prefecture, the names of the Heian shogi pieces keep those of chaturanga (general, elephant, horse, chariot and soldier), and add to them the five treasures of Buddhism (jade, gold, silver, katsura tree, and incense).

Around the 13th century the game of dai shogi developed, created by increasing the number of pieces in Heian shogi, as was sho shogi, which added the rook, bishop, and drunken elephant from dai shogi to Heian shogi. Around the 15th century, the rules of dai shogi were simplified, creating the game of chu shogi in a form close to the modern game. It is thought that the rules of standard shogi were fixed in the 16th century, when the drunken elephant was removed from the set of pieces. However, there is no clear record of when drops were introduced.

In the Edo period, shogi variants were greatly expanded: tenjiku shogi, dai dai shogi, maka dai dai shogi, tai shogi, and taikyoku shogi were all invented. However, it is thought that these were only played to a very limited extent. Both standard shogi and go were promoted by the Tokugawa shogunate. In 1612, the shogunate passed a law giving endowments to top shogi players (Meijin (名人?)). During the reign of the eighth shogun, Tokugawa Yoshimune, castle shogi tournaments were held once a year on the 17th day of Kannazuki, corresponding to November 17, which is Shogi Day on the modern calendar.

The title of meijin became hereditary in the Ōhashi and Itō families until the fall of the shogunate, when it came to be passed by recommendation. Today the title is used for the winner of the Meijin-sen competition, the first modern title match. From around 1899, newspapers began to publish records of shogi matches, and high-ranking players formed alliances with the aim of having their games published. In 1909, the Shogi Association (将棋同盟社?) was formed, and in 1924, the Tokyo Shogi Association (東京将棋同盟社?) was formed. This was an early incarnation of the modern Japan Shogi Association (日本将棋連盟?), founded in 1947.

In 1935, meijin Kinjirō Sekine stepped down, and the rank of meijin came to be awarded to the winner of a Meijin title match (名人戦, meijin-sen?). Yoshio Kimura (木村義雄?) became the first Meijin under this system in 1937. This was the start of the shogi title matches (see titleholder system). After the war other tournaments were promoted to title matches, culminating with the Ryūō title match (竜王戦, ryūō-sen?) in 1988 for the modern line-up of seven. About 200 professional shogi players compete. Each year, the title holder defends the title against a challenger chosen from knockout or round matches.

After the Second World War, SCAP (occupational government mainly led by US) tried to eliminate all “feudal” factors from Japanese society and shogi was included in the possible list of items to be banned along with Bushido (philosophy of samurai) and other things. The reason for banning shogi for SCAP was its exceptional character as a board game seen in the usage of captured pieces. SCAP insisted that this could lead to the idea of prisoner abuse. But Kozo Masuda, then one of the top professional shogi players, when summoned to the SCAP headquarters for an investigation, criticized such understanding of shogi and insisted that it is not shogi but western chess that potentially contains the idea of prisoner abuse because it just kills the pieces of the opponent while shogi is rather democratic for giving prisoners the chance to get back into the game. Masuda also said that chess contradicts the ideal of gender equality in western society because the king shields itself behind the queen and runs away. Masuda’s assertion is said to have eventually led to the exemption of shogi from the list of items to be banned.

The closest cousin of Shogi in the chaturanga family is makruk of Thailand. Not only the similarity in distribution and movements of the pieces but also the names of Shogi pieces suggest intimacy between Shogi and makruk by its Buddhist symbolism (Gold, Silver, Cassia and Incense), which isn't recognised in Chinese chess at all. In fact, Chinese chess and its East Asian variants are far remoter relatives than makruk. Though some early variants of chaturanga more similar to Shogi and makruk are known to have been played in Tang Dynasty China, they are thought to have been extinguished in Song Dynasty China and in East Asia except in Japan probably owing to the popularity of Chinese chess.

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