Reception
Though perhaps less well known than some of Zhang Yimou's more celebrated films (notably Ju Dou, To Live and Raise the Red Lantern), Shanghai Triad was nevertheless generally praised by critics upon its release, with an 85% "fresh" rating on the review-database, Rotten Tomatoes. With its headline position in the New York Film Festival, The New York Times' critic Janet Maslin opened her review that despite the cliched genre of the "gangster film," Shanghai Triad nevertheless "movingly affirms the magnitude of storytelling power." Derek Elley of the entertainment magazine Variety similarly found the film to be an achievement, particularly in how it played with genre conventions, calling the film a "stylized but gripping portrait of mob power play and lifestyles in 1930 Shanghai." Roger Ebert, however, provided a counterpoint to the film's praise, arguing that the choice of the boy as the film's main protagonist ultimately hurt the film, and that Shanghai Triad was probably "the last, and ... certainly the least, of the collaborations between the Chinese director Zhang Yimou and the gifted actress Gong Li" (though Gong would again work with Zhang in 2006's Curse of the Golden Flower). Even Ebert however, conceded that the film's technical credits were well done, calling Zhang one of the "best visual stylists of current cinema."
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