Sex And Sexuality In Speculative Fiction
Sexuality in science fiction refers to the incorporation of sexual themes into science fiction or related genres. Such elements may include depictions of realistic sexual interactions in a science fictional setting, a character with an alternative sexuality as the protagonist, or exploration of the varieties of sexual experience that deviate from the conventional.
Science fiction and fantasy have traditionally been puritanical genres orientated toward a male readership; they can be more constrained than non-genre literature by their conventions of characterization and their effect on depictions of sexuality and gender. However, speculative fiction also gives the freedom to imagine societies different from real-life cultures, making SF an incisive tool to examine sexual bias and forcing the reader to reconsider his or her cultural assumptions.
Prior to the 1960s, explicit sexuality of any kind was not characteristic of genre speculative fiction. In the 1960s, science fiction and fantasy began to reflect the changes prompted by the civil rights movement and the emergence of a counterculture. New wave and feminist science fiction authors imagined cultures a variety of gender models or atypical sexual relationships, such as group marriages or homosexual single-gendered societies, are the norm, and depictions of sex acts and alternative sexualities became commonplace.
There also exists science fiction erotica, which explores sexuality and the presentation of themes aimed at inducing arousal.
Read more about Sex And Sexuality In Speculative Fiction: Critical Analysis
Famous quotes containing the word fiction:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)